Page 187 - (DK Eyewitness) Travel Guide - London
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SOUTHW ARK  AND  BANKSIDE      185


                           Works are sometimes also
                           displayed in the restaurants
                           and have even featured on
                           the north­facing exterior of
                           the gallery.


                           The Turbine Hall
                           Once a year, Tate Modern
                           challenges an artist to create a
                           work capable of occupying the
       Dynamic Suprematism (1915 or 1916) by   vast five­storey Turbine Hall.
       Kazimir Malevich    This has resulted in a spec­
                           tacular display of innovative
       and the ever­evolving world    sculptures and interactive    Untitled (1964) by Larry Bell
       of technology, and explores   works of art.
       themes such as gender politics     Louise Bourgeois was the    Switch House
       and the cult of celebrity. The   first artist to exhibit here, with
       collection includes works by   works that included her   The three previously hidden tanks
       Andy Warhol and Pablo Picasso,   sculpture Maman (1999), a   have been opened up as part
       among others.       monumental steel spider.   of a vast extension. With a raw,
         Artist Rooms celebrates   Others have included Olafur   industrial feel, they are used for
       individual artists with single   Eliasson’s The Weather Project   performance works and install­
       rooms or tours devoted to    (2003), which lit the Turbine   ations. Rising 64.5 m (211.6 ft)
       their works. One such room is   Hall with a giant glowing sun.   above the tanks are another ten
       dedicated to Louise Bourgeois   In 2010, Chinese artist and   storeys, also designed by Herzog
       (1911–2010). Bourgeois’s career   activist Ai Weiwei’s Sunflower   and de Meuron. The shape of the
       spanned some 70 years and    Seeds filled the hall with 100   building is akin to a twisted
       this exhibition highlights    million hand­crafted porcelain   trapezoid and the exterior is clad
       her later work, including her   seeds, and in 2012, Tate Modern   in a perforated brick lattice. The
       final vitrine, Untitled 2010, and   staged its first live commission   extension is connected to the
       several of her small sculptures.   using non­actors – These   main building at levels 0 and 4,
       Other artists featured by Artist   associations created by Tino   and topped with a roof terrace.
       Rooms include Damien Hirst   Sehgal. More performance     The Switch House focuses on
       and Jeff Koons.     pieces will feature in the Tanks,   how art has become active
                           just off the Turbine Hall.   from 1960 to present day, and
                             When there is no exhibition   the changing roles of artist,
                           running, the space is   audience and art during this
                           occasionally used for smaller   period of time. Level 0 offers a
       Special Exhibitions  exhibitions and events, and   space for live art and film,
       To complement its permanent   even concerts.   including new commissions.
       collection, Tate Modern presents
       a programme of exhibitions
       includ ing five large shows a
       year (retrospec tives of modern
       masters or surveys of important
       move ments). The whole of the
       main building’s level 3 is dedi­
       cated to temporary exhibitions.
         Previous exhibitions have
       included retrospectives dedi cated
       to Gilbert & George, Alexander
       Calder and Damien Hirst. An
       exploration of Henri Matisse’s
       “cut­outs”, which ran for nearly
       five months in 2015, brought
       together a huge number of the
       artist’s works for the first time,
       and was the Tate Modern’s most
       successful exhibition, attracting
       over half a million visitors.
         Smaller­scale projects are
       dotted around the gallery.   Ai Weiwei holds painted ceramic “seeds” from his Sunflower Seeds installation (2010)




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