Page 128 - (DK Eyewitness) Travel Guide - Paris
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126      P ARIS  AREA  B Y  AREA


       Exploring the Louvre’s Collections
       It is important not to underestimate the size of these vast   Conversation in a Park (around
       collections, and useful to set a few viewing priorities before   1746), Sir Joshua Reynolds’
       starting. The collection of European paintings (1200–1850) is   Master Hare (1788) and France’s
                                               only painting by JMW Turner,
       comprehensive, and 40 per cent of the works are by French   Landscape with a River and a
       artists, while the selection of sculptures is less complete. The   Distant Bay (around 1840).
       museum’s antiquities – Oriental, Islamic, Egyptian, Greek,     Many of the masterworks
       Etruscan and Roman – are of world renown and offer the   in the Spanish collection
       visitor an unrivalled range of objects. The objets d’art on   depict the tragic side of life:
       display are very varied and include furniture and jewellery.  El Greco’s Christ on the Cross
                                               Adored by Donors (1576) and
                                               Francisco de Zurbarán’s Lying-in-
                                               State of St Bonaventura (about
                                               1629), with its dark-faced corpse,
                                               are two of the Louvre’s prize
                                               pieces. The subject of José de
                                               Ribera’s Club-Footed Boy (1642)
                                               is a beggar boy, who carries a
                                               scrap of paper requesting alms.
                                               Portraits by Goya from the late
                                               18th and early 19th century are
                                               in a lighter vein.
                                                 The museum’s large collection
                                               of Italian paintings covers the
                                               period 1200 to 1800. The father
                                               figures of the early Renaissance,
                                               Cimabue and Giotto, are here,
                                               as is Fra Angelico, with his
                                               Coronation of the Virgin (around
       The Fortune Teller (c. 1594) by Caravaggio  1430–1432), and Raphael, with
                                               his stately Portrait of Baldassare
       European Painting:    futility of human existence.    Castiglione (around 1514). There
       1200 to 1850        In the Dutch collec tion, Van   is also a fine portrait in profile of
                           Dyck’s portrait King Charles out   Sigismondo Malatesta by Piero
       Painting from northern Europe   Hunting (1635) shows Charles I   della Francesca (around 1450)
       is well covered. One of the   of England in all his refined   and an action-packed battle
       earliest Flemish works is Jan van   elegance. Jacob Jordaens, best   scene by Paolo Uccello. Several
       Eyck’s Madonna of Chancellor   known for scenes of gluttony   paintings by Leonardo da Vinci –
       Rolin (about 1435), which shows   and lust, reveals unusual   for instance, the Virgin with the
       the Chancellor of Burgundy   sensitivity in his Four Evangelists.   Infant Jesus and St Anne – are as
       kneeling in prayer before the   The saucy smile of the Gypsy Girl   enchanting as his Mona Lisa.
       Virgin and Child. Hieronymus   (1628) displays Frans Hals’     The collection of French
       Bosch’s Ship of Fools (1500) is    effortless virtuosity, in sharp   painting ranges from the 14th
       a fine, satirical account of the   contrast to Vermeer’s highly   century to 1848. Paintings after
                           finished Lacemaker. Rembrandt’s  this date are housed in the
                           self-portraits, Disciples at
                           Emmaus (1648) and Bathsheba
                           (1654) are fine examples of
                           his genius.
                             There is relatively little
                           German painting, but the three
                           major German painters of the
                           15th and 16th centuries are
                           represented by important
                           works. There is a Self-portrait by
                           Albrecht Dürer as a young artist
                           of 22 (1493), a Venus by Lucas
                           Cranach (1529) and a portrait of
                           the great humanist scholar
                           Erasmus by Hans Holbein. Works
       Portrait of Erasmus (1523) by    by English artists include   Gilles or Pierrot (c. 1717) by
       Hans Holbein        Thomas Gainsborough’s   Jean-Antoine Watteau




   126-127_EW_Paris.indd   126                              03/04/17   10:56 am
     Eyewitness Travel   LAYERS PRINTED:
     Flashmap follow-on template    “UK” LAYER
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     Date 3rd August 2012
     Size 125mm x 217mm
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