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       Cenestian Couple, who appear    Many of these precious objects
       as though they are attending    were in the Abbey of St-Denis,
       an eternal banquet.  where the kings of France were
         The sculptures in the Roman   crowned. Long before the
       section demonstrate the great   Revolution, a regular flow of
       debt owed to the art of ancient   visitors had made it something
       Greece. There are many fine   of a museum. After the
       pieces: a bust of Agrippa, a   Revolution, all the objects were
       basalt head of Livia, the wife of   removed and presented to the
       Augustus, and a splendid,   nation. Much was lost or stolen
       powerful bronze head of   during the move but what
       Emperor Hadrian from the 2nd   remains is still outstanding.
       century AD. This has the look of     The treasures include a
       a true portrait, unlike so many   serpentine stone plate from
       Imperial heads which are   the 1st century AD with a 9th-
       uninspired and impersonal.  century border of gold and
                           precious stones. (The plate itself
                           is inlaid with eight golden dol-
                           phins.) There is also a porphyry
                           vase which Suger, Abbot of   The Eagle of Suger (mid-12th century)
                           St-Denis, had mounted in gold
                           in the shape of an eagle, and   Isaac de Camondo. On display
                           the golden sceptre made for   are important pieces by excep-
                           King Charles V in about 1380.   tionally prominent furniture-
                             The French crown jewels   makers such as André-Charles
                           include the coronation crowns   Boulle, cabinet-maker to Louis
                           of Louis XV and Napoleon,   XIV, who worked at the Louvre
                             sceptres, swords and other   in the late 17th to mid-18th
                               accessories of the corona-  centuries. He is noted for his
                               tion ceremonies. Also on   technique of inlaying copper
                               view is the Regent, one    and tortoiseshell. From a later
                               of the purest diamonds in   date, the curious inlaid steel and
                               the world. It was bought   bronze writing desk, created by
                              in 1717 and worn by Louis   Adam Weisweiler for Queen
       Squatting Scribe (Egyptian, about 2500 BC)  XV at his coronation in 1722.  Marie-Antoinette in 1784, is one
                             One whole room is taken up   of the more unusual pieces in
       Decorative Arts     with a series of tapestries called   the museum’s collection.
                           the Hunts of Maximilian, which     In 2012, the Islamic Art
       The term objets d’art (art   were originally executed for   Department opened in the Cour
       objects) covers a vast range of   Emperor Charles V in 1530 after   Visconti I with around 18,000
       “decorative art” objects: from   drawings by Bernard Van Orley.  objects on display covering
       jewellery, silver and glassware,     The large collection of French   3,000 years of history from three
       to French and Italian bronzes,   furniture ranges from the 16th   continents. The museum also
       porcelain, snuffboxes and   to the 19th centuries and is   recently installed decorative
       armour. The Louvre has well   assembled by period, or in rooms   art galleries dedicated to art
       over 8,000 items, from many   devoted to donations by distin-  objects from the reign of Louis
       ages and regions.    guished collectors such as    XIV and the 18th century.
        The Glass Pyramid
        Plans for the modernization and expansion
        of the Louvre were first conceived in 1981.
        They included the transfer of the Ministry of
        Finance from the Richelieu wing of the Louvre
        to offices elsewhere, and a new main
        entrance to the museum. A Chinese-
        American architect, I M Pei, was chosen to
        design the changes. He designed the pyramid
        as both the focal point and entrance to the
        Louvre. Made out of glass, it enables the
        visitor to see the historic buildings that
        surround it while allowing light down into the
        underground visitors’ reception area.






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