Page 158 - (DK Eyewitness) Travel Guide - Paris
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156      P ARIS  AREA  B Y  AREA

       Exploring the Musée de Cluny’s Collection

       Alexandre du Sommerard settled in the Hôtel de Cluny in   Stained Glass
       1833 and installed his art collection with great sensi tivity
       to the surroundings and a strong sense of the dramatic.    Most of the Cluny’s glass from
       After his death, the hôtel and its contents were sold to the   the 12th and 13th centuries is
                                               French. The oldest examples
       State and turned into a museum.         were originally installed in
                                               the Basilique­Cathédrale de
                           Carvings            St­Denis in 1144. There are
                                               also three fragments from the
                           The diverse techniques of   Troyes Cathedral, destroyed by
                           medieval European wood­  fire, two of which illustrate the
                           carvers are well represented.   life of St Nicholas while the
                           From the Nottingham work­  third depicts that of Christ.
                           shops in England, there are     Numerous panels came
                           wood as well as alabaster    to the Cluny from Sainte­
                           works which were widely used   Chapelle (see pp88–9),
                           as altarpieces all over Europe.   during its mid­19th­century
                           Among the smaller works of    restoration, and were never
                           this genre are The School, which   returned, including five
                           is touchingly realistic and dates   scenes from the story of
                           from the early 16th century.  Samson dating from 1248.
                             Upstairs, there are some fine     The technique of contrasting
                           Flemish and south German   coloured glass with surround­
       The Arithmetic tapestry  woodcarvings. The multi­  ing grisaille (grey­and­white
                           coloured figure of St John    panels) developed in the latter
       Tapestries          is typical. Two notable altar­  half of the 13th century. Four
                           pieces on display are the   panels from the royal château
       The tapestries are remarkable   intricately carved and    at Rouen illustrate this.
       for their quality, age and state of   painted Lamentation
       preservation. In The Arithmetic,   of Christ (about 1485)
       arithmetic – one of the liberal   from the Duchy of
       arts of the Quadrivium alongside  Clèves, and the
       geometry, astronomy and    Averbode altarpiece,
       music – is personified by an   which was made in
       elegant female figure, who is   1523 in Antwerp,
       counting tokens while consulting  and depicts three
       the book given as a present by   scenes including
       one of the surrounding men.   the Last Supper.
       More everyday scenes are shown   Not to be missed
       in the magnificent series The   is a beautiful full­
       Noble Life (about 1500). Upstairs is  length figure of    Stained-glass scene from Brittany (1400)
       the Lady with the Unicorn series.  Mary Magdalene.
                                               The School woodcarving (English,
                                               early 16th century)























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