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160      P ARIS  AREA  B Y  AREA

       q Panthéon

       When Louis XV recovered from desperate illness in 1744, he was
       so grateful to be alive that he conceived a magnificent church to
       honour Sainte Geneviève. The design was entrusted to the
       French architect Jacques-Germain Soufflot, who planned the
       church in Neo-Classical style. Work began in 1757 and was
       completed in 1790, ten years after Soufflot’s death, under the
       control of Guillaume Rondelet. But with the Revolution underway,
       the church was soon turned into a pantheon – a location for the
       tombs of France’s great and good. Napoleon returned it to the
       Church in 1806, but it was secularized and then desecularized
       once more before finally being made a civic building in 1885.  The Façade
                                                  Inspired by Rome’s Pantheon,
                                                  the temple portico has
                                    Pediment Relief  22 Corinthian columns.
                                    David d’Angers’
                                    pediment bas-relief
                                    depicts the mother
                                    country (France)
                                    granting laurels to her
                                    great men.




                         The Panthéon Interior
                         The interior has four
                         aisles arranged in the
                         shape of a Greek
                         cross, from the
                         centre of which
                         the great
                         dome rises.











        KEY
        1 The arches of the dome were   Entrance
        designed by Rondelet and show
        a renewed interest in the lightness
        of Gothic architecture. They link four
        pillars supporting the dome, which
        weighs 10,000 tonnes and is 83 m
        (272 ft) high.
        2 The dome galleries afford a
        magnificent panoramic view of            . Frescoes of
        France’s capital.                        Sainte Geneviève
        3 The dome lantern allows only a         Murals along the south
        little light to filter into the church’s   wall of the nave depict the
        centre. Intense light was thought        life of Sainte Geneviève.
        inappropriate for the place where        They are by Pierre Puvis de
        France’s heroes rested.                  Chavannes, the 19th-century
                                                 fresco painter.




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