Page 340 - (DK Eyewitness) Travel Guide - Paris
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338      TR A VELLERS ’  NEEDS


       The Auditorium du Louvre was   Georges Aperghis, who   necessary to go to the theatre
       built as part of the Grand Louvre  specializes in musical theatre.  box office or venue concerned,
       project (see pp122–9) and it is     The fabulously designed Cité   though some festivals may run
       used mostly for chamber, piano   de la Musique complex at Parc   an advance online or postal
       and vocal recitals. The Musée   de la Villette includes both a   booking service.
       d’Orsay’s (see pp146–9)   spectacularly domed salle de
       Auditorium du Musée d’Orsay   concerts surrounded by a
       is a medium-sized audi torium,   glass-roofed arcade, and the   Churches
       with an active concert   Conservatoire National de   Music is everywhere in Paris’s
       programme. Concerts are   Musique with its opera theatre   churches, in the form of classical
       usually held once or twice    and two small concert halls.    concerts, organ recitals or
       a week, and prices vary.  The Chamber Orchestra of   religious services. The most
         Other museums often hold   Europe plays regularly here.   outstanding churches which
       concerts as part of an exhi bition   Both venues are used for regular   hold regular concerts include
       theme – such as troubadours at   performances, including jazz,   the Eglise de la Madeleine (see
       the Musée National du Moyen   ethnic and contemporary   p218), St-Germain-des-Prés
       Age (see pp154–7) – so do check   music, as well as chanson    (see p140), St-Julien-le-Pauvre
       the listings magazines.  and Early Music.  (see p158) and St-Roch (see
         Musique à la Sorbonne is a     For details, either phone the   p131). Music is also performed
       concert series in the Grand   venue concerned or consult the   in the Eglise des Billettes,
       Amphithéâtre de la Sorbonne   listings magazines. For those   St-Sulpice (see p174),
       and the Amphi théâtre   interested in contem porary   St-Gervais–St-Protais (see
       Richelieu de la Sorbonne.   music, the quarterly magazine   p103), Notre-Dame (see pp82–5),
       Productions have included a   Résonance is published by   St-Louis-en-l’Ile (see p91) and
       Slavonic music festival,   IRCAM at the Pompidou Centre.  Sainte-Chapelle (see pp88–9).
       featuring the works of East               A great proportion, but not
       European composers.                     all, of these concerts are free. If
         Occasionally concerts are   Festivals  you have any difficulty contact-
       given in the Conservatoire   Some of the most important   ing the church in question, try
       d’Art Dramatique, where   music festivals are the result    the Office du Tourisme for
       Beethoven was introduced to   of the work of the Festival   information (see pp332–3).
       Paris audiences in 1828 and   d’Automne à Paris, which
       where Hector Berlioz’s major   acts as a behind-the-scenes
       work, La Symphonie Fantastique,  stimulator, commissioning    Early Music
       was first per formed. Otherwise,   new works, subsidizing others   A number of early-music
       it’s not usually open to public.  and in general enlivening the   ensembles have taken up
                           Parisian musical, dance and   residence in Paris. The Chapelle
                           theatrical scene from   Royale gives a concert series at
       Contemporary Music  September to December.  the Théâtre des Champs-
       Contemporary music in Paris     The Festival St-Denis (see p65)   Elysées, with programmes
       has a high profile and is   running throughout June    ranging from Renaissance vocal
       definitely alive and kicking.   and July holds concerts, with    music to Mozart. Their enchant-
       Jonathan Nott now directs the   an emphasis on choral works.   ing sacred music concerts (look
       experimental Ensemble   Most performances are given    out for Bach cantatas) take place
       InterContemporain, which is   in the Basilique St-Denis.  at Notre-Dame-des-Blancs-
       lavishly supported by the     Musique Baroque au Château   Manteaux (see p104).
       French state in its home at the   de Versailles, from around the     Baroque opera is more the
       Cité de la Musique (see pp238–9).  middle of March to the middle   domain of Les Arts Florissants,
       IRCAM (see p114), founded and   of June, is an offshoot of the   founded and directed by
       formerly directed by Pierre   Centre de Musique Baroque    American-born William Christie,
       Boulez, a composer, conductor   de Versailles, founded in 1988.   who perform French and Italian
       and writer who was a leading   Operas, concerts, recitals,   operas from Rossi to Rameau,
       figure in the capital’s   chamber music, dance and   and Les Musiciens du Louvre,
       contemporary music scene,    theatre are on offer in the   directed by Marc Minkowski.
       is a major centre for ground-  fabulous surroundings of   Both companies perform
       breaking new musical forms. It   Versailles (see pp250–55).  regularly at the Théâtre du
       organizes a programme of new     Other interesting festivals   Châtelet (currently closed) and
       music performances, talks and   include the Festival Chopin,   the Opera National Garnier. The
       an annual festival in June.  held in the Orangerie in the Bois   Théâtre de la Ville (also closed,
         Other bright stars among    de Boulogne from mid-June to   but due to reopen summer
       the many talented composers   mid-July, and the Quartier d’Eté   2018) is also an excellent venue
       include Pascal Dusapin, Philippe   Festival, which hosts a series of   in which to hear Baroque
       Fénelon, George Benjamin and   outdoor classical music   chamber music, as is the pretty
       Philippe Manoury, as well as   concerts. For tickets, it is usually   Eglise St-Germain l’Auxerrois.




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     Eyewitness Travel   LAYERS PRINTED:
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