Page 336 - (DK Eyewitness) Travel Guide - Paris
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334      TR A VELLERS ’  NEEDS

       Theatre

       From the grandeur of the Comédie Française to slapstick farce   venues include the Bouffes
       and avant-garde drama, theatre is flourishing in Paris and the   Parisiens, Théâtre La Bruyère,
       suburbs – the training ground for the best young actors and   the Michel and the St-Georges.
       directors. The city also has a long tradi tion of playing host to   The Théâtre du Gymnase
                                               presents popular one-man
       visiting companies, and it attracts many foreign productions,   comedy shows.
       often in the original languages.
         There are theatres scattered throughout the city and the   Café-Theatres and
       theatre season runs from September to July; national theatres   Chansonniers
       close during August but many commercial ones stay open.   There is a long tradition of
       For complete listings of what’s on read Pariscope or L’Officiel   entertainment in cafés, but
       des Spectacles (see p332).              the café-theatres of today
                                               have nothing in common with
                                               the “café-concerts” of the late
       National Theatres
                           experi mental and contemporary   19th century. These modern
       Founded in 1680 by royal decree,   theatre, lively dance productions   entertainments have originated
       the Comédie Française (see   and, occasion ally, musical revues.  because young actors and new
       p130), with its strict conventions     The Théâtre National de la   playwrights could not find work,
       regarding the style of acting and   Colline has two performance   while drama students were
       interpreta tion, is the bastion of   spaces and specializes in   unable to pay to hire established
       French theatre. Its aim is to keep   contemporary dramas.  theatres. Don’t be surprised if
       classical drama in the public eye       there is an element of audience
       and also to perform works by   Further Afield  participation, or alternatively, in
       the best modern playwrights.            small venues, if the actors can
         Inextricably linked in the   A thriving multi-theatre complex   sometimes seem a little too
       national consciousness to   in the Bois de Vincennes, the   close for comfort. This form of
       Molière, the Comédie Française   Cartoucherie houses five   theatre is now so popular in Paris
       is the oldest national theatre in   separate avant-garde theatres,   that one can often see posters
       the world and one of the few   including the internationally   advertising classes for café-
       institutions of France’s ancien   famous Théâtre du Soleil.  theatre or notices inviting
       régime to have survived the             people to join small troupes.
       Revolution. It settled into its         Café-theatres rose to
       present home after players   Independent Theatres  prominence during the 1960s
       occupied the Palais-Royal during  Among the most important of   and 70s, when unknowns such
       the Revolution. The traditionally   the serious independents are   as Coluche, Gérard Depardieu
       styled red velvet auditorium has   the Comédie des Champs-  and Miou-Miou made their
       a vast stage equipped with the   Elysées, the Théâtre Hébertot   debut at the Café de la Gare
       latest technology.  and the Théâtre de l’Atelier,   before going on to success on
         The majority of the repertoire    which aims to be experimental.   the screen, so who knows who
       is classical, dominated by   Other notable venues include   you might see at your local café.
       Corneille, Racine and Molière,   the Théâtre Marigny, for     Good venues for seeing new
       followed by second strings   excellent modern French drama,  talent include the Théâtre
       Marivaux, Alfred de Musset and   the Théâtre Montparnasse    d’Edgar and Le Point Virgule,
       Victor Hugo. The company also   and the Théâtre Antoine,    while Cabaret Michou is an old-
       performs modern plays by   which pioneered the use of   fashioned spot that tends to
       French and foreign playwrights.  realism on stage. The Théâtre   specialize in drag acts and
         The Odéon Théâtre de   de la Madeleine maintains   broad caricature. Traditional
       l’Europe, also known as the   consistently high standards and   chansonniers – cabarets where
       Théâtre National de l’Odéon    the Théâtre de la Huchette   ballads, folk songs and humour
       (see p142), was at one time the   specializes in Ionesco plays.    abound – include Au Lapin
       second theatre of the Comédie   The British director Peter Brook   Agile (see p229), in Mont martre.
       Française. It now has two sites   has a loyal following at the   Political satire is on offer at the
       and specializes in performing   Théâtre des Bouffes du Nord.  Caveau de la République and
       plays from other countries in     For over a hundred years, the   the Théâtre des 2 Anes, also in
       their original languages. Next   Théâtre du Palais-Royal has   Montmartre. Another form of
       door, the Petit Odéon is a studio  been the temple of risqué farce.   café entertainment that often
       space specializing in new plays.  With fewer French Feydeau-  veers towards the theatrical is
         The Théâtre National de   style farce writers these days,   the café-philosophique. These
       Chaillot is a huge underground   translations of British and   are philosophical discussions or
       auditorium in the Art Deco Palais   American sex comedies are   debates, held on topics such as
       de Chaillot (see p202). It stages   filling the gap. Other notable   justice, war and love, in which




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