Page 80 - (DK Eyewitness) Travel Guide - Italian Riviera
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78      GENO A  AREA  B Y  AREA

       Exploring Palazzo Rosso                 Room 5 contains works
                                               by Guercino (1591–1666),
       The main museum takes up two floors, and occupies rooms   including the fine Dying
       which are still decorated with antique furniture, sculptures,   Cleopatra, bought by one of
       mirrors and porcelain. On the upper floor (the only one to   the Durazzo family in 1648.
                                               By the same artist is the Suicide
       have been lived in) are rooms frescoed by the great painters   of Catone Uticense (1641) and
       of the 17th century in Liguria, magnificent examples of   God the Father with Angel
       Baroque decoration. The paintings of the Brignole-Sale family,   (c.1620), once part of an altar
       which form the core of the art collection, are primarily works   painting entitled Vestizione di
       by Italian and Flemish masters and the Genoese school,   San Guglielmo, now in the
       reflecting the taste prevalent in the centuries during which   Pinacoteca Nazionale di Bologna.
                                                 Room 6 is devoted to
       the collection was formed. Palazzo Rosso combines   17th-century Neapolitan
       beautifully and seamlessly the role of a noble residence    painting, including several works
       with that of a gallery of art, assembled by a family of   by Mattia Preti, such as The
       Genoese patricians.                     Resurrection of Lazarus (1630–40),
                                               which employs a dramatic use
                                               of light and shade.
                             as the latter’s Judith and
                             Holofernes. Other works here
                             are by Paris Bordone and   Rooms 7–10: Genoese
                             Alessandro Bonvicini (also   Painting from the
                             known as il Moretto). The   16–18th Centuries
                             painting Madonna and Child,   These rooms document the
                             St John the Baptist and Mary   richness and high quality of
                             Magdalen (1520–22) by   the works produced by the
                             Palma il Vecchio, is a beautiful   Genoa school during the city’s
                             work featuring a lovely use    so-called golden age, a period
                             of colour.        of great economic and cultural
                               Room 4 has 17th-    fervour that lasted from the
                             century paintings of the   16th to the 18th centuries.
                             Emilian school, among      Room 7 is dedicated to local
                             them Annunciation by   artist Bernardo Strozzi (1581–
       Judith and Holofernes by Paolo Veronese,   Ludovico Carracci, who was   1644). His paintings range from
       displaying great mastery of colour  a key figure in the Bolo gnese   the youthful La Carità to two
                             school, along with his cousins   devotional paintings depicting
                           Agostino and Annibale. Among   St Francis and magnificent works
       Rooms 1–6: Italian    Carracci’s pupils was Guido Reni,   from his mature phase, such as
       and European Painting,   whose St Sebastian (1615–16)   Madonna with Child and San
       15–17th Centuries   reveals his ability to depict a   Giovannino, showing the
       The collection of paintings    range of emotions through   clear influence of Caravaggio,
       was assembled by the Brignole-  measured, classical painting.   and The Cook, showing a
       Sale family, whose acquisitions   The works of Giulio Cesare   Flemish influence.
       lasted for more than two cen-  Procaccini are also of interest.    In Room 9 are paintings by
       turies. The marriage between            Sinibaldo Scorza (1589–1631)
       Giovan Francesco Brignole-Sale          and Giovanni Battista Castig-
       and Maria Durazzo strengthened          lione, known as il Grechetto
       the collection further.                 (1609–64). Scorza was primarily
         Room 1 has a fine Portrait            a painter of landscapes and
       of Maria Brignole-Sale (1856),          animals, while il Grechetto, a
       one of many family portraits.           draughtsman and engraver,
       In Room 2, in addition to the           dealt with pastoral themes. Il
       Madonna with Child, St Joseph           Grechetto was a brilliant
       and St John as a Child by an            interpreter of biblical scenes: his
       artist of the Perin del Vaga            Flight of the Family of Abraham
       school, is Portrait of a Man            (1630s) is a good example.
       (15th century) thought to be              Room 10 is dedicated to
       by Michele Giambono or                  Genoese artists of the 17th
       Gentile da Fabriano.                    and 18th centuries, including
         Room 3 is dedicated to the            Pellegro Piola, Giovanni Bernardo
       Venetian school from the 16th           Carbone and Bernardo Castello –
       century, with works by Tinto-  The intense St Sebastian by Guido Reni, on   specialists in depictions of
       retto and Paolo Veronese, such   display in Room 4  idyllic landscapes.




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