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              Ganesha, the Remover of Obstacles

        Lord Ganesha, the elephant-headed son of Shiva and Parvati, is the most auspicious
        and popular deity in India, and especially beloved in Maharashtra. Images of the
        endearing, potbellied god are found in every household, on temple doorways and
        shop entrances, on letterheads and wedding invitations. No task or enterprise is
        ever begun without invoking him, as he is the Lord of New Beginnings. Worshipped
        in many guises, he is Vighneshwara, the Remover of Obstacles, and Siddhidata, the
        God of Prosperity and Success. Ganesha is above all a friend, lovable and benign,
        and his festival, Ganesha Chaturthi, crosses all social boundaries, uniting the people
        of Maharashtra in a frenzied ten-day celebration.

        Lord Ganesha
        The deity’s four arms hold his various   Elephant   A half halo
        attributes. Two of these, his broken tusk   goad   indicates
                                                           his divinity.
        and a round sweetmeat called modaka,
        appear consistently. In the other two
        hands, he sometimes holds a lotus
        blossom, an elephant goad, an axe
        or prayer beads. According to legend,
        Ganesha gained his elephant head after
        Shiva, in a state of fury, cut his son’s head
        off and then, in remorse, stuck on the
        head of a passing elephant.

             The broken tusk, used as a pen to write
              the Mahabharata, was the result of an          Modaka
               encounter with Parasuram (see p683).
                   A rat is the vehicle of Ganesha







                                   Intricate clay images of Ganesha are made and
                                   consecrated on the first day of Ganesha Chaturthi
                                   (see p477). These are then enshrined in pandals or
                                   decorated stages, and worshipped continuously
                                   for ten days amidst Hindi and Marathi recitations
                                   and musical performances.




                 Colourful floats,
               accompanied by folk
           dancers, lead the serpentine
             processions that fill the
            streets, amidst chants and
          drum beats. The processions
             end at the water’s edge,
           where hundreds of idols are
           immersed in rivers, lakes or
           the sea. This final immersion
           on the tenth day marks the
            deity’s return to his abode.
                           See also features on Hindu Mythology (see pp28–9), Shiva (see p570) and Vishnu (see p683).



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