Page 125 - (DK) Advanced Photography Guide
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FILT ER S     123



        FILTER STRENGTH                       TYPE OF FILTER   FILTER FACTOR     F-STOP ADJUSTMENT

        A filter’s strength is shown as a filter factor   SKYLIGHT / UV  1X            NONE
        value, which indicates how much light is
        blocked by the filter. A filter with a 1x filter   ND 0.1  1.3X               1/3-STOP
        factor allows 100% of the light to pass
        through and does not affect exposure.    ND 2 / ND 0.3      2X                1-STOP
        A filter with a 2x filter factor blocks 50% of
        the light that falls on it, requiring a 1-stop   POLARIZER  4X                2-STOPS
        exposure adjustment. A filter’s name usually
        incorporates a description of the filter’s   ND 4 / ND 0.6  4X                2-STOPS
        strength (such as ND 64). Manufacturers    ND 8 / ND 0.9    8X                3-STOPS
        also use a decimal value to describe filter
        strength. This system starts at 0.1 for 1/3-   ND 64 / ND 1.8  64X            6-STOPS
        stop filtration and usually increases by 0.1 for
        every 1/3-stop increase in strength.   ND 1024 / ND 3.0    1024X              10-STOPS




       EXTREME ND FILTER                                ND GRADUATED FILTER



















       Extreme ND filters are available in strengths from 6- to 15-   Graduated filters help balance the exposure between two
       stops. As they severely restrict the amount of light entering the   areas of a scene in which there are differing amounts of light.
       lens and make it possible to use shutter speeds of one second   One half of the filter is semiopaque, like a standard ND
       or longer, they produce extensive blurring of movement.    filter, but the other half is transparent. The transition
       The density of extreme ND filters means that you have to   between the two halves may be soft or hard. It is best to use
       compose the photo and set the focus before you attach   an ND graduated filter in a holder system, as you can then
       them to the camera, as once they are in place you cannot   move it up and down or rotate it to find the right position
       see through the optical viewfinder. Using a tripod is a must.  to allow the appropriate amount of light through.
        BEST FOR                                         BEST FOR

        ◾ ◾ Blurring movement to remove detail entirely  ◾ ◾ Balancing the exposure of bright skies with that of darker
        ◾ ◾ Landscape photography, particularly seascapes   foregrounds
                                                        ◾ ◾ Side-lit portraits or still life photography
        ◾ ◾ Minimalist black-and-white photos
                                                        ◾ ◾ Adjusting the exposure of brightly sunlit snow or sand








   US_122_123_Exp_Exposure_Filters.indd   123                                                        05/02/2018   14:35
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