Page 128 - (DK) Advanced Photography Guide
P. 128

126         APPLYING | GRADUATED ND FILTERS


           BALANCING DIFFERENT AMOUNTS


           OF LIGHT IN A LANDSCAPE



           A common problem when shooting a landscape is   there is no direct light on the foreground. In this
           getting the exposure right for both the foreground   situation, a graduated neutral-density (ND) filter
           and the sky. When the sky is much brighter than the  can help balance the exposure, but it is important
           foreground it can be impossible to set an exposure   to use a filter that is the right strength. If you add
           that works for both of them. This usually happens   one that is too strong, the sky will look unnaturally
           when you are shooting toward the sun or when    dark, or the foreground may be overexposed.


















                SELECT MANUAL                   SELECT SPOT METERING            METER THE FOREGROUND
                For shots like this, set the exposure   Switch the metering option to spot   Position the camera’s spot meter
           for the foreground and use the filter to   or partial metering. Neither multi-area   area over a midtone in the foreground
           adjust the exposure for the sky. Manual   nor center-weighted metering are precise  and take a reading. If there are no
           gives you the precise control that you   enough to be able to meter specific areas  midtones in the foreground, use a
           need for this process.          of a scene accurately.          gray card (see p.100) to assist you.


















                SET THE CORRECT EXPOSURE        METER THE SKY                   CALCULATE THE DIFFERENCE
                Select the aperture that will create   Position the meter over a midtone   Select a graduated ND filter
           the required depth of field for the shot.   in the sky. The exposure index will show   that reduces the exposure difference
           Set the shutter speed so that the   the variation in lighting between the   to 1-stop. If the sky is 3-stops brighter
           foreground will be correctly exposed.  foreground and the sky.   than the foreground, use a 2-stop filter.







   US_126-127_App_Graduate_Filters.indd   126                                                        06/02/2018   11:47
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