Page 188 - Chronicles of Darkness
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Are the characters even aware of its existence? If they’ve never   Consider the Wake the Dead Tale (p. 214). This tale re-
            seen it, but still know about it, how did they learn about it?  quires that one of the characters kill someone. As Storyteller,
            Do they have some sort of special significance to the God-  you can leave that decision to the players, allowing one of
            Machine? How do the machinations of the God-Machine  them to work the incident into her character’s backstory, but
            affect their daily lives?                        it might be preferable to know what you’re getting into. Maybe
               One of the basic tenets of a God-Machine Chronicle  you stipulate, then, that one of the characters accidentally
            is that victory is fleeting. Unless operating at the global or  runs over and kills a jogger late one night while driving home
            cosmic tier (see p. 180), Storytellers should consider how to  from work. That is the jumping-off point for the story, or the
            make the players’ victories seem meaningful, even if they are  inciting incident.
            actually pyrrhic. Will making a dent in the hidden system be   What the character decides to do after committing ve-
            enough for the players, or will they want more? As mentioned  hicular manslaughter can be played out as long as you like,
            at the end of the Introduction, it doesn’t all have to be doom  depending on the type of story being told. This is misdirec-
            and gloom; a win is a win, but there should be a sense that  tion. None of the players are likely to believe a Storyteller
            something larger still looms over the horizon.   would run an entire chronicle based on an accidental death,
               Other than the plethora of examples provided in this  but most troupes will be happy to play along. It’s when the
            chapter, you can also gain some insight for the material by  other dead bodies get up and start interacting with the living
            watching movies or reading books that have a dystopian feel.  that the actual story begins.
            These include The City of Lost Children, Brazil, Children of   At this point the troupe doesn’t need to know that the dead
            Men, 1984, and any number of books or websites dedicated  have returned to life due to a malfunction in the God-Machine.
            to conspiracy theories.                          All they know is that the dead are returning to life. Since these
            Spinning Cogs                                    “resurrections” are a direct result of the one character’s little
                                                             traffic accident, it’s a good idea to refer back to that incident
                                                             somehow. Maybe the characters sees her victim when she looks
               Unless you want the God-Machine up front and clanking   in the mirror, or she sees him hitchhiking as she’s driving. He
            from the beginning of the chronicle, some attempt at misdi-  also smells like wet rust and his body is covered with impossibly
            rection can make the story more interesting. Begin simple,   complex tattoos that weren’t there before he died.
            but with a hook that a) establishes the modern-horror setting   How the troupe deals with the dead is the first step of the
            and genre and b) demands the characters’ attention.   God-Machine chronicle. The poor people probably have no

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