Page 118 - sarah-simblet_sketch-book-for-the-artist
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THE BODY118                                                                                describe shape but expresses a decision about overall flow
                                                                                           of form, balance, and height. Be bold and dive into your
          Quick Poses                                                                      drawing with confidence. Layered lines give depth,
                                                                                           feeling, and energy. Leave first
                  DRAWING QUICK POSES l o c k s y o u r c o n c e n t r a t i o n o n t o  thoughts in place, and work over
                  what is most essential, propelling you to make immediate                 them with further observations.
                  assessments and trust them. Start each new drawing by
                  lightly marking the model's height with a loose line in ten
                  seconds, working from her center to her feet and to her
                  head. This quick exploratory line does not perfectly

                                                      SEQUENCE OF POSES

                                                      Here the model was asked to move every two
                                                      minutes. I used a sharp HB pencil and began each
                                                      drawing by marking her outline, height, and stance
                                                      before honing her balance and expression.

          Outline                                     Balance                                         Height

          To outline a figure, work back and forth    When a model stands upright on both feet,       This pose leans away into space above our eye

          across the body. Avoid drawing up one side  her center of balance is normally found in      level. To draw this effect, make the upper body

          and down the other, because it results in   a vertical line beneath her head. To see this,  smaller give your model a high waist, and slightly

          two unrelated sides drifting apart.         imagine holding up a plumb line.                enlarge her legs and feet.
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