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After some  practice,  you will become familiar  with the  sounds
            yourself. For easy reference, the keys of the minor scales are coloredin
            the picture.Students can practice these scales by pressing or playing
            the corresponding keys on their instruments.

            d)     Raga (Raag)
            Raga is  a melodic framework or a musical mode consisting of a set
            of notes  arranged in a  specific sequence,  often associated with a
            particular mood or emotion.  Ragas  are not fixed  compositions but
            rather a set of guidelines that provide a framework for improvisation.
            Raga has its own characteristics.Except for some exceptions, a raga
            should have at least 5  swaras or notes, and at most, it should have
            7  swaras or musical notes. A raga using 5  notes is called audava, a
            raga using 6  notes is  called a  shadava, and a raga using 7 notes  is
            called a raga of sampoorna. Each raga is based on a particular thaat.
            Based on the importance of their usage, the notes are named vadi,
            samvadi, anuvadi, vivadi, varjya, etc.The singing times of ragas are
            also different.Alhaiya Vilaval, Yaman, Bhupali, Durga, Kafi, Bhairav,
            Bhairavi, Khamaj, Ashawari, Marwa, Purvi, Todi, etc., are some of
            the most prominent ragas.
            Except for a few exceptions, all the ragas use the swarasaccording to
            the thaatsmentioned above. For example, in the activity below, the
            notes of Alap are given with a small introduction to Raga Yaman. Try
            to sing and understand with the help of the teacher.

            Activity 12.5
            (a)  On the harmonium or keyboard, play the two notes 'Sa' and 'Pa'
                  continuously withoutbreaking in between.
            (b)  Now take a deep breath and sing Sa, Pa in exact harmony with
                  the tune of the harmonium.
            ( c)  Practice singing some embellishments after vowels in Sa and Pa.

            (d)  You can also play the hannonium while singing.
            (b)  Similarly, try to sing the Aaroh, Avaroh and Alapswaras of the
                  Raga Y aman given below.

            Aroh (ascent): Ni Re Ga Ma Dha Ni Sa'
            Avroh (descent): Sa' Ni Dha Pa Ma Ga Re Sa

            Pakad:Ni Re Ga Re, Ni Re Sa, Pa Ma Ga Re Ni Re Sa
            Tlon/Lh, Physicnl and Crrmlivo nrl.'>, grnrln 0                              189
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