Page 188 - ...........

'
'
re rn'a dha ni re ga ma dha ni re ~ ma dha ni
- ~ - - - -
~ u fit
~ tr fit
i
t '1T
- -
- - dT .--...-- ..... - - - ,_ --..-- .-.- --...... - ,.- - i ~ ~ tr ~
,....
.--......-
- ,.-
'sa 're 'ga 'ma 'pa 'dha 'ni sa re ga ma pa dha ni sa' re ga' ma pa dha n i'
~ ~ <1T ~ er q
':R"T ~ 7T ':Ff" er 9-T ~ ~ ~ 7t ~ tj- u ~
Im

is used for a deep or hoarse voice. The middle octave is used for a
normal voice. The high octave is used for a sharp voice. When writing
in musical notation, dots are placed below the notes of the low octave,
such as Sa, Re, Ga, Ma. For the notes of the middle octave, no dotsare
used, only the names of the notesare written. For the notes of the high
octave, dots are placed above, such as Sa, Re, Ga, Ma.

(b) Thaat

Thaat refers to a structured group of seven notes that form the basis
of ragas. Thaat is not sung, but it is used to organize and systematize
ragas. Various methods have been developed and evolved since
ancient times to organize and systematize ragas. In modern times,
scholars have created ten such groups of notes, from which all ragas
are said to have been derived, with some exceptions. The table below
shows the details of the notes used in different Thaats.

91.~. me ~~~
mzTf+r~n.rR-m <~ m '!!-ra:l
9. ~
~- ~ mtTf-tr~nrR"m <* <f1g zj'$T ~ m '!!~l
~- ~ mzTf+r1l~fum <fu~~~m~i
¥ ~ m't!r+r1l~fum <!TZB~~~m'!!~l
x. ~ m.JTf+r1lYRm crzy ~~~m '!!~)
~- amwrt'T m'tTI11qyf3"m m, y z 6 ~ zj'$T ~ m ~i
z
\.9 llT'{C{T mllTir1lCTRm cr ~ * <f1g iSITctr ~ m '!!~)
z
c;, ffi"tr mlTiif qyf;fm cr, !T, y ~ * <f1g ~ ~ m \_-ra:)
'\. qcff m.!Tfifqyf;fm ITZN~Z lr~~~ffi '!!~)
"'
90 m<fl m.!TI11qyfum cr, TI, y z 6 ~ ~ ~ m ~)
184 Ilealth. Physical m1d l.J.·eative m·ts. grnde 8