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12. 7 Introduction and Practice of Rhythn1 (Jhyaure, Khyali,
Samhala, and Selo)
The relation between Sur and Taal (melody and rhythm) is
indispensable. They are incomplete without each other. Melody, tunes
played on.a musical instrument, singing, and dance are all guided by
the rhythm. Therefore, rhythm has a vital role in music. The nlethod
or medium of measuringthe time used in singing and playing is
known as Taal.A Taal is a composition made by combining different
bols or syllables coming out of a musical instrument having a certain
number of beats, division, Tali, and Khali. Different names and types
of Taals are created based on beats, division, and syllables. Jhyaure,
Khyali, Samhala, Selo, Kaharwa, Dadra, Rupak, Jhaptal, Tin Tal, etc.
have been used in music. In this lesson, we will study some of these
rhythms that are popular in inusic, and we will also practice playing
them in different stages.

(a) Jhyaure Taal

It is called Jhyaure rhyth111 because it is the rhyth111 played in Jhyaure
song in folk music. The bols of the Tal vary according to the song.
The 6 beats of this Talare divided into 2 equal parts. This beat is used
a lot in folk music. Another such tala, which is made by keeping the
tabla'sbolsis called dadra. This rhythm is also played in the national
anthem of Nepal.

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~ x x x x

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