Page 50 - King Lear: The Cambridge Dover Wilson Shakespeare
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INTRODUCTION                     xlv
               vitally  important  study  of  the  matter  is  contained  in
               Professor  Danby's  book  Shakespeare's  Doctrine  of
               Nature:  a  Study  of ''King  Lear'  (1949).  Relating  the
               play to the philosophical thought  of the time,  Professor
               Danby   speaks  of  'The  Benignant  Nature  of  Bacon,
                                      o
               Hooker,  and  Lear',  and f'The  Malignant Nature  of
                Hobbes,  Edmund,  and  the  Wicked  Daughters'.  The
               conception  of  benignant  Nature,  briefly  described
               above, agrees with  and  is part  of the  traditional  'world
                picture' which Dr Tillyard, the late Theodore  Spencer,
                                       1
                and  others  have  described.
                  Shakespeare  lived  at  a time which  saw new  concep-
                tions attacking  traditional  conceptions, and  which  saw
                the  latter  fighting  back.  This  conflict  is  mirrored  in
                King  Lear, and  in other  Shakespeare  plays  as well.  In
                the  course  of  the  lecture  to  which  I  have  referred,
                Dr Edwin  Muir  spoke of the Dissolution  of the  Mona-
                steries,  which  was  completed  in  1539,  and  of  the'
                execution  of Charles I, which  took place in  1649.  And
                he  spoke  of how,  in  the  interval,  'the  medieval  world
                with  its communal  tradition  was slowly dying, and  the
                modern  individualist  world  was  bringing  itself  to
                birth'.  ' Shakespeare,' he went on, 'lived in that violent
                period  of transition. The  old  world  still  echoed  in  his
                ears; he  was aware  of the new  as we  are aware  of  the
                future....'  Edmund  is  'the  mouthpiece  of  the  new
                generation'.*  Professor Danby likewise emphasizes this
                antithesis in King  Lear between the old values and those
                of the  'new  man'.  He  has no doubt  that  Shakespeare
                intends  us to  take Edmund  to  be a villain.  But,  while
                stressing  this,  he  appears  to  be  greatly  impressed  by
                the  sureness,  the  conviction, with  which  Shakespeare
                draws  Edmund,  and  to  be  impressed  also  by  certain
                  1
                   Tillyard,  The  Elizabethan  World  Picture  (1943)}
                Spencer,  Shakespeare and  the Nature  of  Man  (1943).
                  a
                   Op. cit. pp.  7,  12.
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