Page 149 - (DK Eyewitness) Travel Guide - Provence & The Côte d'Azur
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BOUCHES-DU-RHONE  AND  NIMES   147


       or presently, the Carrières de   bound up with the Abbaye de
       Lumières was established. The   Montmajour. The oratories that
       imaginative slide show is pro-  stand at the four corners of the
       jected not only onto the white   small town were erected in
       limestone walls of the natural   1721 to celebrate the end of
       theatre, but also the floor and   the plague (see pp52–3).
       ceiling, creating a three dimen-  To the south on the D33, set
       sional effect. The 35-minute   on a stony hill is the Moulin
       show is renewed each year.   de Daudet and further on at
       Accompanied by captivating   Barbegal are the remarkable
       music, it is an extraordinary   remains of a Roman aqueduct.
       audio-visual experience.
                           tAbbaye de
                           Montmajour
                           Road map B3. Route de Fontvieille.
                           Tel 04 90 54 64 17. Open Apr–Sep:   The cloisters and keep of the Abbaye de
                           daily; Oct–Mar: Tue–Sun. Closed 1   Montmajour
                           Jan, 1 May, 1 & 11 Nov, 25 Dec. & 7
                                               abbey was largely restored in
                           Standing out like Noah’s ark on   the 19th century.
                           Mount Ararat, 5 km (3 miles)   The Eglise Notre-Dame is
                           northwest of Arles, this   one of the largest Romanesque
                           Benedictine abbey was built in   buildings in Provence. Below,
                           the 10th century. At the time,   the 12th-century crypt has been
                           the site was an island refuge   built into the sloping hill. The
       Les Baux’s Chapelle des Pénitents, next to   in marshland. The handful of   cloister has double pillars orn-
       the Eglise St-Vincent  monks in residence spent all   amented with beasts and lies in
                           their spare time draining this   the shadows of the 26-m (85-ft)
                           area of marshland between the   tower, built in the 1360s. It is
       rFontvieille        Alpilles chain and the Rhône.  worth climbing the 124 steps
                            The abbey is an imposing   to the tower platform to see the
       Road map B3. * 3,700. @ £
       n Ave des Moulins (04 90 54 67 49).   place, though all the Baroque   stunning view across to the sea.
       ( Mon & Fri. ∑ fontvieille-  buildings were destroyed by   Also carved into the hillside is
       provence.com        fire in 1726 and never restored.   the atmospheric Chapelle de
                           The original church is said to   St-Pierre. It was established at
       Fontvieille is an agreeable   have been founded by Saint   the same time as the abbey and
       country town in the flat fruit   Trophime as a sanctuary from   is a primitive place of worship.
       and vegetable lands of the   the Romans. It grew rich in the   There are a number of tombs
       irrigated Baux Valley. Halfway   Middle Ages when thousands   in the abbey grounds, but
       between Arles and Les Alpilles,   of pilgrims arrived at Easter to   the principal burial area is the
       the town makes an excellent   purchase pardons. After 1791,   12th-century Chapelle Ste-
       centre from which to explore.   the abbey was broken up by   Croix. It lies not far to the
       Until the French Revolution   two successive owners who   east and is built in the shape
       in 1789, the town’s history was   bought it from the state. The   of a Greek cross.
        Daudet’s Windmill
        The Moulin de Daudet is one of the most famous
        literary landmarks in France. Alphonse Daudet was
        born in Nîmes in 1840 and made his name in Paris.
        The windmill is the setting of Daudet’s Letters from
        my Windmill, stories about Provençal life, first
        published in 1860 and popular ever since. He
        observed the local characters and wrote about their
        lives with irony and pathos. He never actually lived
        in the mill, but made imaginative use of some of the
        resident miller’s tales. When he stayed in Fontvieille
        he was a guest in the 19th-century Château de
        Montauban. He came to find respite from the capital,
        but returned there in order to write his stories. The
        mill cannot be visited, but there is a small museum
        located in the château dedicated to Daudet.
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