Page 406 - (DK Eyewitness) Travel Guide - Europe
P. 406

404      IT AL Y  AND  GREECE


       q Uffizi                                             The Vasari
                                                         Corridor leads to
       The Uffizi was built in 1560–80 as a suite of        the Palazzo
       offices (uffici) for Duke Cosimo I’s new Tuscan        Vecchio.
       administration. The architect, Vasari, used iron   Main staircase
       reinforcement to create an almost continuous
       wall of glass on the upper story. From 1581   Entrance
       Cosimo’s heirs, beginning with Francesco I,   Hall  1
       used this well-lit space to display   Entrance
       the Medici family art treasures,
       thus creating what is                                   4
       now the oldest art
       gallery in the world.                                3      5-6
                                                                 2     7
        The café terrace merits                                           9
       a visit for its unusual
       views of Piazza della   Bar      45                           8
       Signoria (see pp400–401).
                                            43                             10-14
                                        44
           Corridor ceilings are frescoed in
          the “grotesque” style of the 1580s,
             inspired by Roman grottoes.
                                                    42
       Gallery Guide
       The Uffizi art collection is
       housed on the top floor.
       Ancient Greek and Roman
       sculptures are displayed in the                     41
       corridor running round the
       inner side of the building. The
       paintings are hung in a series                         37-36
       of rooms off the main corridor,
       in chronological order, to reveal                  38
       the development of Florentine                              35
       art from Gothic to High
       Renaissance and beyond. Most                                   34
       of the best-known paintings
       are grouped in rooms 7–18. To               Buontalenti
       avoid the long queues, book                   staircase
       your visiting time in advance.  The Ognissanti Madonna      33
                           Giotto’s grasp of spatial depth               26
                           in this altarpiece (1310) was a   31  32
                           milestone in the mastery of                27
                           perspective.                       29  28
                                                                30


          Key to Floorplan
             East Corridor                             Entrance to the
             West Corridor                             Vasari Corridor
             Arno Corridor
             Gallery Rooms 1–45
             Non-exhibition space
                           . The Venus of Urbino (1538)
                           Titian’s sensuous nude was condemned
                           for portraying the goddess in such an
                           immodest pose.
       For hotels and restaurants see pp438–40 and pp441–3


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