Page 54 - (DK Eyewitness) Travel Guide - Milan & The Lakes
P. 54

52      MILAN  AREA  B Y  AREA


       2 Galleria Vittorio
       Emanuele II and
       Highline Galleria
       Piazza della Scala, Piazza del Duomo.
       Map 7 C1. q 1, 3 Duomo. Highline
       Galleria ticket office: Via Silvio Pellico 2
       (4th Floor). Tel 02-45 39 76 56.
       Open 10am–9pm daily (summer:
       10am–11pm daily). Closed 1 Jan,
       1 May, 2 Jun, 25 & 26 Dec.
       ∑ highlinegalleria.com
       The Galleria is an elegant
       arcade lined with cafés, shops
       and a famous restaurant, Savini
       (see p170). Work began in 1865,
       overseen by the architect   San Fedele church overlooking Piazza San Fedele
       Giuseppe Mengoni, and it
       was opened two years later by   till late in the evening all year   5 San Fedele
       the king, Vittorio Emanuele II,   round and can be booked from   Piazza San Fedele. Map 3 C5. Tel 02-86
       after whom it was named.    the office in Via Silvio Pellico.  35 22 15. q 1, 3 Duomo. v 1. @
       The gallery was designed to             61. Open 7:30am–1:15pm, 4:30–6pm
       connect Piazza del Duomo                Mon–Fri. 5 7:50am, 12:45pm Mon–
       and Piazza della Scala, and   3 Teatro alla Scala   Fri; 6:30pm Sat; 11am, 7pm Sun.
       formed part of an ambitious
       urban renewal project. On    See pp54–5.  This church is the Milanese
       the floor in the central                seat of the Jesuit Order,
       octagonal area, directly under          commissioned by San Carlo
       the 47-m- (154-ft-) high glass   4 Palazzo Marino   Borromeo from Pellegrino Tibaldi
       dome, is the heraldic symbol    Piazza della Scala. Map 3 C5.    in 1569. The work was continued
       of the Savoy family, a white   q 1, 3 Duomo. Closed to the public.  by Martino Bassi and the dome,
       cross on a red ground. Around           crypt and choir were designed
       it are the arms of four major   This palazzo was designed in   by Francesco Maria Richini
       Italian cities: the bull of Turin,   1558 by Galeazzo Alessi for    (1633–52). With its austere
       the wolf of Rome, the lily of   the banker Tommaso Marino,   architecture and nave without
       Florence and the red cross    but remained unfinished until   aisles, this is a typical Counter-
       on a white ground (Milan). On   1892, when Luca Beltrami   Reformation church. The façade
       the vault are mosaics of Asia,   completed the façade. From    is being restored, but the interior
       Africa, Europe and America.  Via Marino on the right you    has three interesting paintings.
         It is now possible to access   can see the richly decorated,   By the first altar on the right is
       the walkways on the roofs   porticoed courtyard of honour.  St Ignatius’s Vision by Giovan
       around the Galleria and     According to tradition the   Battista Crespi, known as “il
       experience this historical   palazzo, home of the Milan   Cerano” (c.1622). A Transfig­
       monument from a unique and   Town Hall since 1860, was    uration by Bernardino Campi
       fascinating perspective. The   the birth place of Marianna    (1565) is in the atrium after the
       Highline Galleria also offers   de Leyva, the famous nun    second altar on the left; Campi
       stunning views of the Duomo   of Monza described by   also painted the Blessed Virgin
       spires and the Milan skyline.   Alessandro Manzoni in The   and Child, by the second altar
       Guided walks run from morning  Betrothed as the “Signora”.  (left). These last two works came
                                               from Santa Maria della Scala,
                                               which was demolished to make
                                               room for La Scala opera house
                                               (see pp54–5).
                                                 The wooden furniture is also
                                               worth a closer look: the confes-
                                               sionals (1596) have scenes from
                                               the life of Christ carved by
                                               Giovanni Taurini, and the
                                               cupboards in Richini’s sacristy
                                               (1624–28) are by Daniele Ferrari
                                               (1639). A statue of writer
                                               Alessandro Manzoni, whose
                                               death certificate is kept in San
       Looking across at the Duomo from the Highline  Fedele, stands in the square.




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