Page 88 - (DK Eyewitness) Travel Guide - Krakow
P. 88

86   KR AK OW  AREA  B Y  AREA

       y Franciscan Church

       The Franciscans arrived in Krakow in 1237 and the   A 13th-century wall
       construction of this church was undertaken in 1255   of the first church
       as a foundation of Duke Bolesław the Chaste and his wife
       the Blessed Salomea. After the Swedish invasion, which
       caused much damage, the church was rebuilt in the
       Baroque style. The great fire of Krakow in 1850
       damaged the church again and it was rebuilt partly
       in the Neo-Romanesque and partly in the Neo-
       Gothic style. The work of Stanisław Wyspiański on
       the interior decoration is of prime importance.
       Around 1900 the artist executed the Art Nouveau
       murals and designed a series of unusual stained-
       glass windows in expressive colours.

                      Blessed Salomea
                      Stanisław Wyspiański’s
                      stained glass in the north
                      window of the choir shows
                      the foundress of the church
                      who rejected the ducal
                      coronet before taking the
                      habit of a Poor Clare nun.









             . Mater Dolorosa
            This late Gothic image
           by Master Jerzy, of Mary
       surrounded by angels holding
       instruments of Christ’s Passion,
              is much venerated.

                         . Murals
                         The polychrome decoration features
                         flowers and conveys the Franciscan
                         love of nature. This work illustrates
                         the novel means of artistic expression
                         employed by Wyspiański in sacred art.







                                   Chapel of The Passion
                            The brothers of the Confraternity of
                            The Passion have met in this chapel
                            since the end of the 16th century to
                             conduct their rituals (see p54). Their
                             liturgy is theatrical and evokes the
                                 spirit of Baroque devotion.
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