Page 18 - ClayCraft - Issue 35 (January 2020)
P. 18

Re-firing






























          Linda Bloomfield is a scientist
          turned potter. More glaze recipes
          can be found in her books,
          Advanced Pottery (2011), Colour
          in Glazes (A&C Black 2012), The
          Handbook of Glaze Recipes
          (Bloomsbury 2014) and Science
          for Potters (The American          Linda Bloomfield porcelain bowls in the kiln with crawled glazes. The two
          Ceramic Society 2017). Her next   pots in the middle of the kiln did not dry out su†ciently and steam caused
          book Special E ect Glazes will be   areas of glaze to lift o‡.
          published next year. The second
          edition of her book Colour in      Porcelain bowls after refiring to
          Glazes is now available          cone 8, 1250°C. The crawled areas
                                           have disappeared.

        G         lazes don’t always come out  off. If this is the case, the pot can be
                  as expected. There are so
                                           re-glazed and re-fired. It is best to
                                           apply glaze to the pot while it is still
                  many variables; the glaze
                  application may have been   warm, as soon as it is unloaded from
        too thin or the firing temperature too   the hot kiln (but don’t open the kiln
        low. The glaze may have crawled; this   until the temperature is below 100°C).
        happens when the glaze is applied too   If this is not possible, it can be
        thickly or if the pots are still damp   reheated on the top of a radiator. The
        when loaded into the kiln. Steam   glaze can be daubed on using a brush.
        escaping from the damp ware during   The pot will then need to be placed
        firing can cause sections of glaze to lift  back on the radiator to dry. Once the
                                           first layer of glaze has dried, another
                                           layer can be applied. I find it usually
                                           needs around three layers to attain a
                                           sufficient glaze thickness. The glaze   takes time to cover all the bare patches
                                           dries slowly as the water evaporates   evenly with glaze but, with care, the
                                           from the surface rather than being   refired pot will look as good as new.
                                           absorbed by the ware, which is no   To speed things up, a small amount of
                                           longer porous after firing. If there are   glaze can be thickened using CMC
                                           crawled areas all around the walls of   gum or gum Arabic, but this will turn
                                           the pot, it’s easiest to reglaze one spot   it into a brush-on glaze and then it can
                                           at a time, leave that to dry, and then   no longer be used as a dipping or
                                           move on to the next area. The pot can   pouring glaze on biscuit ware.
          Porcelain bowls drying on the   be balanced on its side on the radiator   Some potters keep applying more
        radiator after being partially reglazed.  so that the wet glaze is horizontal. It   layers of glaze and re-firing until they
        18  ClayCraft Issue 35
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