Page 133 - (DK Eyewitness) Travel Guide - Venice & The Veneto
P. 133

DORSODURO      131

       4 Campo Santa       building in the centre of the   6 Santa Maria
       Margherita          square, has a faded relief of    dei Carmini
                           the Madonna della Misericordia
       Map 6 D2. 4 Ca’ Rezzonico.  protecting the tanners.  Campo Carmini. Map 5 C3. Tel 041
       The sprawling square of                 522 65 53. 4 Ca’ Rezzonico or San
       Santa Margherita, lined with   5 Scuola Grande   Basilio. Open 2:30–5pm Mon–Sat.
       houses from the 14th and                Known also as Santa Maria dei
       15th centuries, is the lively hub   dei Carmini  Carmelo, this church was built
       of western Dorsoduro. Market   Campo Carmini. Map 5 C2.    in the 14th century but has since
       stalls, offbeat shops and    Tel 041 528 94 20. 4 Ca’ Rezzonico.   undergone extensive alterations.
       cafés attract many young   Open 11am–5pm daily.      The most prominent external
       people. The fish stalls sell live   Closed 1 Jan, 25 Dec. & ^   feature is the lofty campanile,
       eels and lobster, the erborista   ∑ scuolagrandecarmini.it  whose perilous tilt was
       alternative medicine, and the               skilfully rectified in 1688.
       bakers some of the tastiest   The headquarters of   The impressive interior
       loaves in Venice.   the Carmelite             is large, sombre and
         The former church of Santa   confraternity was   richly decorated.
       Margherita, now an auditorium   built beside    The arches of the
       owned by the university, lies to   their church    nave are adorned
       the north of the square. Visitors   in 1663. In    with gilded
       can see sculptural fragments   the 1740s        wooden statues,
       from the original 18th-century   Giambattista   and a series
       church, including gargoyles,    Tiepolo was     of paintings
       on the truncated campanile    commissioned      illustrating the
       and adjacent house. The    to decorate the   Santa Maria dei Carmini  history of the
       Scuola dei Varotari (“Scuola of   ceiling of the   Carmelite Order.
       the Tanners”), the isolated   salone (hall) on the upper floor.   There are two interesting
                           The nine ceiling paintings that   paintings in the church’s side
                           he produced so impressed the   altars. Cima da Conegliano’s
                           Carmelites that Tiepolo was   Adoration of the Shepherds
                           promptly made an honorary   (c.1509) is in the second altar on
                           member of the brotherhood.  the right (coins in the light meter
                             The ceiling shows St Simeon   are essential). In the second altar
                           Stock Receiving the Scapular of   on the left is Lorenzo Lotto’s
                           the Carmelite Order from the   St Nicholas of Bari with Saints Lucy
                           Virgin. The Carmelites honoured   and John the Baptist (c.1529).
                           St Simeon Stock because he re-   This painting demonstrates
                           established the order in Europe   the artist’s religious devotion,
                           after its expulsion from the Holy   personal sensitivity and his love
                           Land in the 13th century.  of nature. On the right-hand
                             The archive rooms also   side of this highly detailed,
                           contain remarkable art and   almost Dutch-style landscape,
                           elaborate woodwork, with   there is a tiny depiction of
                           ceiling and wall paintings by   St George killing the dragon.
       A 15th-century carving of Santa Margherita   Giustino Menescardi and   To the right is a small Holy
       and the dragon      caryatids by Giacomo Piazzetta.    Family by Paolo Veronese.
        Scuole
        The scuole were peculiarly
        Venetian institutions. Founded
        mainly in the 13th century, they
        were lay confraternities existing
        for the charitable benefit of the
        neediest groups of society, the
        professions or resident ethnic
        minorities (such as the Scuola
        degli Schiavoni, see p122).
        Some became extremely
        rich, spending large sums
        on buildings and paintings,
        often to the disadvantage
        of their declared beneficiaries.
                           Upper Hall of the Scuola Grande dei Carmini





   130-131_EW_Venice.indd   131                              8/18/17   11:15 AM
   128   129   130   131   132   133   134   135   136   137   138