Page 29 - (DK Eyewitness) Travel Guide - Venice & The Veneto
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A  POR TR AIT  OF   THE   VENE T O      27



       Renaissance (15th and   Bold projecting roof   Theatrical masks
       16th Centuries)    cornices are a feature   serve as keystones
                          of Renaissance   to window arches.
       Houses of the Renaissance   architecture.
       period were often built in
       sandstone rather than
       traditional Venetian brick. The
       style was based on Classical
       architecture, with emphasis on
       harmonious proportions and
       symmetry. The decorative
       language, borrowing motifs                    Corinthian pilasters on
       from ancient Rome and Greece,                   the portal to San
       typically incorporated fluted                  Giovanni Evangelista
       columns, Corinthian capitals
       and semicircular arches.                      The Venetian door,
                                                     a very popular
       Palazzo Grimani (see p68) has                 Renaissance motif, has
       lavish stone carving which none               a rounded central arch
                                                     flanked by narrower
       but the wealthy could afford;                 side openings. This
       massive foundations were                      combination was also
       constructed to bear the                        used for windows.
       incredible weight.
       Baroque (17th Century)                 Cherubs and
       Venetian Baroque has its               plumed heads
                                              are carved into
       roots in the Renaissance               Baroque stone   Recessed windows
                                                       and column clusters
       Classical style but is far more        window heads.  create an interesting
       exuberant. Revelling in bold                      play of light and
       ornamentation that leaves                             shadow.
       no surface uncarved, garlands,   Semicircular
       swags, cherubs, grotesque   window head of
       masks and rosettes animate   Palazzo Balbi with
       the main façades of buildings   two lights and
       such as the 17th-century    spandrel decorated
                         with a circle.
       Ca’ Pesaro.
                        Massive blocks with
                      deep ridges give solidity
                         to the lower walls.
                    Ca’ Pesaro (see p66) is an
                      example of Baroque
                    experimentation, with its
                     flat façade broken into a
                     three-dimensional stone
                    pattern of deep recesses
        Baroque cartouche  and strong projections.
        The Venetian House               Courtyards took the   The upper floor
                           Attic rooms were   place of gardens.  housed the family.
        The layout of a typical palazzo   reserved for servants.
        (often called Ca’, short for casa,
        or house) has changed little               The piano nobile (grand
        over the centuries, despite                floor), often lavishly
        the very different styles of               decorated, was used to
        external decoration.                       entertain visitors.
                                                   The ground-floor
         Offices, used for storing                 storerooms and offices
         business records, evolved                 were used for the
              into libraries.                           transaction
                                                        of business.






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