Page 32 - (DK Eyewitness) Travel Guide - Venice & The Veneto
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30      INTRODUCING  VENICE   AND   THE  VENE T O


        Styles in Venetian Art

        Venetian art grew out of the Byzantine tradition of
        iconographic art, designed to inspire religious awe.
        Because of the trade links between Venice and
        Constantinople, capital of Byzantium, the Eastern
        influence lasted longer here than elsewhere in Italy.
        Andrea Mantegna introduced the Renaissance style to
        the Veneto in the 1460s, and his brother-in-law Giovanni
        Bellini became Venice’s leading painter. In the early 16th
        century Venetian artists began to develop their own
        style, in which soft shading and dramatic use of light   The Last Judgment (12th
        distinguishes the works of Venetian masters Titian,   century) from Torcello: in
        Giorgione, Tintoretto and Veronese. The development    the damp climate, mosaics,
        of this characteristic Venetian style, which the prolific but   not frescoes, were used to
        lesser-known artists of the Baroque and Rococo periods   decorate Venetian churches.
        continued, can be seen in the chronological arrangement
         of the Accademia (see pp134–7).


        Byzantine Gothic
        Paolo Veneziano is credited
        with the move from grand-
        scale mosaics to more
        intimate altarpieces. His
        painting mixes idealized
        figures with the hair styles,
        costumes and textiles
        familiar to 14th-century
        Venetians. The typically                    The Madonna’s gentle
        lavish use of jewel colours                 face reinforces the
                                                    courtly refinement
        and gold, symbol of purity,                 of Veneziano’s work.
        can also be seen in the
        work of Veneziano’s                          The composition and
        pupil (and namesake)                         colours reflect the style
        Lorenzo, and in the                          of the early Byzantine icons
        gilded warrior angels                        which influenced the artist.
        of Guariento (see p183).                      Arabesque patterns
                                                      on the tunics reflect
                                                      Moorish influence.
             Veneziano’s entire
            dazzling polyptych                        Musicians like
          (1325) of which this is the                 these played at
            centrepiece, is in the   Paolo Veneziano’s Coronation of the Virgin  grand ceremonies
            Accademia (see p136).                     in San Marco.
                                                  1483–1539 Giovanni Pordenone
                 1356–72 (active)
                 Lorenzo Veneziano  1430–1516 Giovanni Bellini  1450– 1480–1528 Palma
                                  1431–1506 Andrea Mantegna  1526   il Vecchio
             1338–c.1368                           Vittore
                                                          1480–1556
              Guariento         1415–84 Antonio Vivarini  Carpaccio  Lorenzo Lotto
         1300            1350           1400            1450
                        1395–1455 Antonio Pisanello  1429–1507   1467–1510 “Il
                                          Gentile Bellini  Morto da Feltre”
                            1400–71 Jacopo Bellini        1477–1510
                1321–62 (active)    1432–99 Bartolomeo Vivarini  Giorgione
                Paolo Veneziano
                                        1441–1507 Alvise Vivarini  1487–1576 Titian




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