Page 431 - (DK Eyewitness) Travel Guide - Spain
P. 431

INTRODUCING  SOUTHERN  SP AIN      429


                         Singing is an integral part of
                         flamenco and the singer often   Where to Enjoy
                         performs solo. Camarón de la Isla   Flamento
                         (1950–92), a gypsy born near
                         Cádiz, was among the most   Madrid has several good tablaos,
                         famous contemporary cantaores   flamenco venues (see p325). In
                         (flamenco singers). He began    Granada, Sacromonte’s caves
                         as a singer of expressive cante    (p495) are an exciting location.
                         jondo (literally, “deep song”),    In Seville, the Barrio de Santa
                         from which he developed    Cruz (pp438–47) has good tablaos.
                         his own distinctive style. He
                         has inspired many singers.
                                                   The bailaora (female
       The proud yet graceful                      dancer) is renowned
       posture of the bailaora   A harsh, vibrating   for amazing footwork
       is suggestive of a   voice is typical of    as well as intensive
       restrained passion.  the singer.           dance moments. Eva
                                               Yerbabuena and Sara Baras are
                                               both famous for their personal
                                               styles. Both lead their own
                                               acclaimed flamenco companies.
                                               Another flamenco star is
                                               Juana Amaya.






                                Traditional polka-dot dress

                                 The bailaor (male dancer) plays
                                   a less important role than the
                                   bailaora. However, many have
                                     achieved fame, including
                                  Antonio Canales. He has intro­
                                  duced a new beat through his
                                     original foot movements.
                               The Flamenco Tablao
                               These days it is rare to come across spontaneous
                               dancing at a tablao, but if dancers and singers are
                               inspired, an impressive show usually results. Artists
                               performing with duende (“magic spirit”) will hear
                               appreciative olés from the audience.

       Flamenco Rhythm
       The unmistakable rhythm of flamenco is created by
       the guitar. Just as important, however, is the beat
       created by hand­clapping and by the dancer’s feet in
       heeled shoes. The bailaoras may also beat a rhythm
       with castanets; Lucero Tena (born in 1938) became   Castanets made
       famous for her solos on castanets. Graceful hand   of wood
       movements are used to express the dancer’s
       feelings of the moment – whether pain,
       sorrow, or happiness. Like the move­
       ments of the rest of the body,
       they are not choreo graphed,
       and the styles used vary from
       person to person.                  Flamenco hand movements






   428-429_EW_Spain.indd   429                              26/09/17   11:55 am
   426   427   428   429   430   431   432   433   434   435   436