Page 506 - (DK Eyewitness) Travel Guide - India
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504      SOUTHWESTERN  INDIA


       Exploring Old Goa
       Portugal’s Goa Dourada (“Golden Goa”) was once a vast city,
       inhabited by more than 30,000 people. In the 16th century, it
       attracted missionaries and soldiers, merchants and horse-traders,
       and its elegant palaces and mansions were much praised by
       contemporary visitors. However, by the mid-18th century,
       a series of epidemics and the silting up of the Mandovi river
       forced the viceroy to move his residence downstream to
       Panaji (see pp490–93). Thereafter, decline set in and, by the
       19th century, the city was finally abandoned and its houses
       demolished. Today, Old Goa is a mere shadow of its former self,
       but the few churches and cathedrals that remain are considered
       to be among Goa’s most significant monuments.
       R Church of St Cajetan  worthy of their mighty empire,   Rows of pillars on either side of the central
       E of Viceroy’s Arch. Open daily.  Francis Coutinho (viceroy,    nave, Sé Cathedral
       In the 17th century, Pope    1561–4) envisaged a magnificent
       Urban III sent Italian priests    cathedral that would be the   of Alexandria, with panel
       from the Theatine         largest in Asia.    paintings depicting scenes
       Order to Golconda         The result is the   from her life. Two of the eight
       (see pp670–71). When      Renaissance-style Sé   chapels, the Blessed Sacrament
       refused entry, they       Cathedral, designed    and the Cross of Miracles, have
       settled in Old Goa.       in the 16th century    delicate filigree work on their
       Here, in 1651, they       by Julio Simao and   screens. The font, used by
       erected a church          Ambrosio Argueiro,   St Francis Xavier to baptize
       dedicated to their        and built over 80    converts, is near the entrance.
       founder, St Cajetan,      years. Its 30-m (98-ft)   The sacred relics of his body,
       designed along the   Detail of altar, Church   high Tuscan-style   kept in the Basilica de Bom
       lines of St Peter’s in    of St Cajetan  façade was flanked    Jesus (see pp502–503), are brought
       Rome. The distinctive    by two square bell   to the cathedral during the
       dome and interior, laid out in   towers, only one of which   expo sitions held every ten years.
       the shape of a Greek cross,   survives. In it hangs the
       embody the majesty of Italian   Golden Bell, known for    E Archaeological Museum
       Baroque. The adjacent   its melodic tones, which    Convent of St Francis of Assisi.
       monastery is today a college    rang out during the dreaded   Tel (0832) 228 5333. Open Sat–Thu. &
       of theology.        auto da fé trials, held in the   Once Goa’s largest monastery,
                           cathedral’s front square.  the Convent of St Francis of
       R Sé Cathedral        The interior, with intricate   Assisi (built in 1517) now houses
       Senate Square. Tel (0832) 228 4710.   Corinthian detailing, has a    the Archaeological Museum.
       Open daily. 5 7am, 7:30am Mon–Sat   76-m (249-ft) long central    A huge bronze statue of Alfonso
       (Konkani), 6am Sat (Eng), 7:30am, 10am   nave. As many as 15 altars grace   de Albuquerque, moved from
       & 4pm Sun (Konkani).  the interior, but the pièce de   Panaji, dominates the entrance
       Ordered by the government    résistance is the gilded high   hall. Among the objects of
       in Portugal to build a church   altar, dedicated to St Catherine   interest are a finely carved
















       From right to left, Sé Cathedral, the Church of St Francis of Assisi and the Church of Our Lady of the Rosary in Old Goa
       For hotels and restaurants in this region see p701 and pp715–16


   504-505_EW_India.indd   504                              26/04/17   11:48 am
     Eyewitness Travel   LAYERS PRINTED:
     Catalogue template    “UK” LAYER
     (Source v2.6)
     Date 12th July 2013
     Size 125mm x 217mm
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