Page 106 - (DK) Advanced Photography Guide
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104         APPLYING | TELEPHOTO LENSES


           THE BRENIZER METHOD



           A shallow depth of field helps to make your subject   Brenizer, who popularized its use—is a technique that
           stand out, but this can be difficult to achieve if    produces images with a shallow depth of field but a
           you are shooting with a compact camera or CSC,   wide angle of view, so that only a centrally placed
           particularly if you are using a lens with a relatively   subject is sharp. To do this, you have to shoot 30 to
           small maximum aperture. The Brenizer method—    60 photos in a rectangular grid pattern that you later
           which is named after wedding photographer Ryan   stitch together in postproduction (see pp.170–171).

















                CHOOSE YOUR LENS                SELECT MANUAL                   SET A FIXED WHITE BALANCE
                Attach a telephoto lens to your   The exposure should remain    The White Balance should also
           camera; between 85mm and 105mm   constant as you shoot the sequence.   be consistent. Set the right preset for
           (full-frame equivalent) is ideal. The   Switch to Manual and select the maximum  the light source you are using. This is
           technique also works with compact   aperture available. Set the required   particularly important if you are shooting
           cameras, but only zoom in using the   shutter speed and increase the ISO if   JPEG; Raw files can be adjusted later in
           optical zoom to maintain image quality.  camera shake is likely to be an issue.  postproduction, if necessary.

















                FOCUS ON YOUR SUBJECT           SHOOT THE SEQUENCE              CHECK YOUR PHOTOS
                Carefully focus on your subject   Visualize how much of the scene   Continue shooting until you
           and then switch to manual focus or    you want to include with your subject.   reach the top right corner, then lower
           lock focus, so that the camera will not    Shoot the top left corner of this scene,   the camera and work from right to left,
           try to refocus as you shoot the sequence.  and then pan right and shoot a second   as before, overlapping the images. Shoot
           Do not alter the distance between the   photo so that it overlaps with the first   the entire scene this way, then check that
           camera and the subject as you shoot.  shot, and repeat.          you have covered everything.








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