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178                                                     David Kloos

                     Mariah quit her job in 1998 out of a desire to join the movement, growing
                  louder and stronger in the wake of the sacking and subsequent arrest of Deputy
                  Prime Minister Anwar Ibrahim, for social and political reform. She was not the
                  only one.  e so-called Reformasi (‘reform’) movement aroused the interest of
                  many ‘young educated professional women who used to be apolitical’ (Zaireeni
                  Azmi 2016: 121). Mariah had been a member of PAS since 1993 but her job
                  as a civil servant combined badly with an active role in the opposition. Now
                  that her children had reached a certain age, Mariah gave in to Hajjah Jamilah’s
                  repeated requests. Together with Dr Lo’ Lo’, she quickly rose to prominence.
                                                                                 5
                  As professionals, it was their job to be unlike the ‘typical’ muslimat (members
                  of Muslimat PAS), many of whom had religious backgrounds, were active as
                  religious teachers or preachers (ustazah), or joined the party mainly because of
                  their husbands (who were also, in many cases, religious scholars or preachers).
                  Dress played an important role. In the 1990s, a sartorial style had developed
                  that was recognised as ‘typically PAS’, with a long surtout (jubah) and a white
                  rather than black kopiah (close- tting, brimless cap) for men—dress that used
                  to be associated primarily with pilgrims returning from Mecca—and wide
                  dresses, socks, and long headscarves covering the front of the body (tudung
                  labuh) for women.  e expectation was that Mariah and other newly recruited
                  professionals would change this dominant image of excessive outward piety.
                  For men, this meant a (re-)turn to ‘coat and tie’ (Noor 2014: 158). For
                  Mariah, who had never worn a  tudung labuh, and whose style had always
                  been ‘light’ (ringkas), it meant experimenting with new colours, materials, and
                  trendy designs such as the ‘tudung Wardina’, a way of folding the headscarf
                  named after a famous TV presenter. ‘My wardrobe became very full with many
                  di erent tudung’, she recalls.
                     Complicating these attempts at changing the image of the party, however,
                  was the fact that, in the ideological discourses of the global Islamic revival, every
                  devout Muslim is seen, potentially or ideally, as a preacher of sorts. While it
                  was important to look worldly, Mariah explained, outward appearance should
                  not reach the point where it could be perceived as unlawful embellishing
                  (tabarruj). ‘Do not adorn yourself (menghiaskan diri). Do not be loud. Do not
                  be showy.’ Here, Dr Mariah’s account resembles the experiences of numerous
                  popular or  ‘celebrity’ preachers (ustazah seleb) I interviewed.  An  anecdote
                                                                      6
                  emphasizes this point.  e  rst time Mariah was asked to speak at a party
                  event, she planned to adopt the common practice (kelaziman) of reciting a
                  few verses from the Quran and hadith (traditions of the Prophet). Although
                  she had prepared verses that were very familiar, she felt nervous and awkward.
                  When the moment came, she failed to get them right. Deeply embarrassed,
                  she decided that she was ‘not a preacher’ (bukan muballighah) and that it was





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