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128                                        Dayang Permai (2022)



                   2.2.2 ADVERTISEMENT

                   PETRONAS,  like  every  other  firm,  seeks  to  expand  its  customer  base.  As  a  consequence,  they  use  a  variety  of  marketing
                   methods to communicate with their clients and the wider public. PETRONAS' advertising strategy is based on emotional ads
                   (advertising that  uses television as the medium). This suggests that  PETRONAS has used advertising that often generate an
                   emotional milieu that entices viewers and  elicits positive or negative emotions. Generally,  individuals gravitate toward goods that
                   make them happy or even unhappy in certain circumstances. PETRONAS included one of their advertisements, PETRONAS
                   Advertisement: Raya 2006, which has been seen and uploaded to YouTube by a large number of people. Even those who see a
                   lot of PETRONAS ads express how much they appreciate them and how excited they are for the new ones. Petronas also develops
                   advertisements for every Malaysian festival, including the 49th Merdeka Day. PETRONAS also advertises its goods on billboards
                   and in publications. As you drive down the road, you will see enormous billboards promoting PETRONAS, which means that
                   everyone will learn about the company.

            2.3 PERCEPTUAL VALUES

            Advertising is a subjective evaluation of the relative worth or usability of advertising to clients (Ducoffe, 1995). Advertising's worth may
            be  assessed  from  both  a  business  and  consumer  perspective.  It's  instructive  to  consider  the  value  of  advertising  from  the  consumer's
            perspective,  since  this  provides  a  better  grasp  of  how  advertising  works.  Ducoffe  (1995)  examined  ad  likability  and  attitudes  toward
            advertising themes in further detail. Advertorial The study's objective was to ascertain  the factors that  influence the chance of a good result.
            Consumers are more receptive to advertisements. As a consequence, advertising becomes more profitable.


            2.4 CULTURE

            Much of the prior research on cultural responses to advertising has concentrated on appeals to cultural values. Values serve as the foundation
            for advertising appeals, since they should align with consumer values (Pollay, 1983). Advertising, the theory goes, is designed to influence
            customers by appealing to their ideals. If advertising does not represent the values of the target audience, it may alienate them by diminishing
            consumer identification with the firm. Because advertising is sometimes regarded as a response to a society's prevailing cultural values, this
            is  because  culturally  congruent  representations  are  thought  to  be  more  successful  than  non-compatible  appeals  (Gupta  &  De,  2007;
            Zhang&Gelb,1996).

            According  to  McCracken  (1986),  in  a  consumer  culture,  cultural  meaning  varies  by  area.  It  moves  from  the  culturally  constructed
            environment (everyday experience that is formed by one's culture's ideas and values) to consumer goods, and then from consumer products
            to the individual consumer. Numerous things contribute to this trend, one of which is an advertising. Within the confines of a particular
            commercial, advertising connects the consumer good with the culturally constructed reality. Cultural meaning includes the ideas, beliefs, and
            values that determine how the world is constructed, evaluated, and understood. Cultural principles pervade all aspects of social life, including
            commercial products, serving as guiding values for thinking and conduct (McCracken, 1986). Because commercials make use of the universal
            cultural symbols necessary for communication, meanings are conveyed to a marketed product through advertising (Escalas &Bettman, 2005).
            Advertisers choose these themes, which are then presented as advertising appeals in language and images in advertising campaigns (Pollay,
            1986).

            Cultural meanings are derived from the culturally produced reality, of which national cultures are an intrinsic part. To determine if and to
            what  degree  advertising  reflects culture,  it is  critical  to  assess  the  extent  to  which  advertising  meaning  may be  explained  by  cultural
            frameworks that characterise national cultures.

            2.5 AWARENESS

            Because companies are coming in droves, all that is necessary is the confidence to deliver, to simply make it happen—through none other
            than advertising, which builds a massive superstructure with an independent life and immense influence.

            Advertising is a key cultural symbol system that shapes and reflects our lives. It is an inescapable part of life for everyone. Even if one
            does not read a newspaper or watch  television, it is difficult to escape the commercial images that saturate our surrounds, whether on
            billboards, wall art, pop stuff, or even radio, which cut across all media yet are not confined to any.

            Advertising has been the means of communication between the merchant and the customer. It is more than just informing people about goods
            and services; it is an overt effort to convince people to act via the use of logic or emotion. Advertising does not end with the transmission of
            information from seller to customer; it also affects and persuades individuals to act or hold a viewpoint. Advertising, as a component of the
            promotion mix, is a component of the overall marketing mix, and it, like the other components, has an effect on product sales.



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