Page 259 - (DK Eyewitness) Travel Guide - Italy
P. 259

INTRODUCING  CENTR AL  IT AL Y      257


 Understanding Architecture in Central Italy
        Where to See the                   seeks to reinterpret it in his own
        Architecture                       unique fashion. Urbino’s Palazzo
                                           Ducale (pp374–5) perfects the
        The simple canons of the Renais -   grace and polish of the era and
        sance were interpreted differently   is a truly noble period residence.
        away from the hotbed of artistic   On a smaller scale are the planned
        thought and cultural endeavour of   Renaissance centres of elegant
        Florence, which has the greatest   towns such as Ferrara (pp264–5),
        number of churches and palaces.    Pienza (p337) and Urbania (p373).
        Alberti’s Tempio Malatestiano at   All three centres are examples of
        Rimini (see p270) evokes the sobriety    Vista in the Boboli    enlightened patronage, and pay
        of ancient Roman architecture yet   Gardens, Florence  homage to the art of antiquity.



       The weight of the lantern   Classical triangular pediment
       prevents the dome from                           Volute connects
       springing apart.
                                                          the lower and
                         Outer shell  The top edge of      upper parts.
        Timber ribs              the frieze divides
        provide the              the façade in two.
        main support.
                             Inner
                             shell









       The Duomo in Florence is crowned by the   The façade of Santa Maria Novella in Florence
       revolutionary dome (1436) by Brunelleschi,    (1458–70) was designed by Leon Battista Alberti.
       which had to be built without scaffolding due    He incorporated some of the existing Gothic
       to its size. The timber structure is covered by    features into an overall design typical of the
       an inner and outer shell (see pp284–5).  Renaissance (see pp300–1).

       The villa at Poggio a Caiano   Clock, a later   Classical frieze
       (1480) was redesigned in the
       Renaissance by Giuliano da   addition
       Sangallo (see p332). The graceful,          Colonnade derived from
       curved staircase was added                  a Classical temple
       around 1802.




         Classical
         portico













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