Page 36 - (DK Eyewitness) Travel Guide - Venice & The Veneto
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34      INTRODUCING  VENICE   AND   THE  VENE T O


        Venetian Masks and the Carnival

        The Venetian gift for intrigue comes into its own
        during the Carnival, a vibrant, playful festival
        preceding the abstinence of Lent (see p36). Masks
        and costume play a key role in this anonymous
        world; social divisions are dissolved, participants
        delight in playing practical jokes, and anything
        goes. The tradition of Carnival in Venice began
        in the 11th century and reached its peak of
        popularity and outrageousness in the 18th
        century. Industrialization left little leisure    Modern Carnival Revellers
        time and Carnival fell into decline, but was   Since 1979, each year sees more lavish
        successfully revived in 1979.    costumes and impromptu celebrations.
                                 Laws forbidding the   The high spirits of Venetian
                                 wearing of costly lace were   women scandalized many
                                 suspended at Carnival.  foreign observers.




















        The Plague Doctor
        This sinister Carnival garb is
        based on the medieval doctor’s
        beaked face-protector and
        black gown, worn as a
        precaution against plague.
                                                      Traditional Mask
                                                          Celebration
                                                   Carnival in the 18th century
                                                  began with a series of balls in
                                                   the Piazza San Marco, as in
                                                     this fresco on the walls
                                                    of Quadri’s famous café in
                                                      the square (see p78).



                                               Gambling at the Ridotto
                                               Fortunes were squandered
                                               every night of Carnival at the
                                               state-run casino depicted in
                                               Guardi’s painting (c.1768).





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