Page 117 - The Rough Guide to Panama (Travel Guide)
P. 117

Portobelo The Panama Canal and CenTral isThmus  115
         PORTOBELO FESTIVALS
         two very different festivals bring this otherwise lethargic town to life, causing traffic to grind
         to a halt well before the first fort, and streets to heave with people, as you find yourself
         knee-deep in discarded polystyrene containers, beer cans and chicken bones.
         EL FESTIVAL DEL NAZAREÑO
         In mid-october, Portobelo bursts into a frenzy of religious fervour and wild partying at the
         Festival del Nazareño – more commonly dubbed the Festival del Cristo Negro (black Christ
         Festival) after Panama’s most revered religious icon, a striking, dark-skinned Christ with a   2
         penetrating gaze and bearing the Cross, which resides in the Iglesia de San Felipe. the effigy’s
         iconic status was cemented in 1821 when it apparently spared the townsfolk from an
         epidemic that was sweeping the isthmus.
          though the main procession occurs on october 21, the build-up begins days before as up to
         forty thousand pilgrims, including general party-goers and a small number of criminals wanting
         to atone for their crimes, march into town. thousands walk the 35km from Sabanitas and a
         handful hoof it from further afield, many in ankle-length purple robes. Some crawl the last stretch
         on their hands and knees, urged on by faithful companions wafting incense, rocking miniature
         shrines in front of their eyes or even pouring hot wax on their backs. to compound the suffering,
         the pilgrims are frequently overdosing on carbon monoxide from the festival traffic, which
         weaves in and out of the bodies struggling along the scorching asphalt. Shelters, food stalls and
         medical posts are set up along the route while the town itself is jam-packed with makeshift
         casinos, stalls selling religious paraphernalia and food outlets dishing out chicken and rice.
          At 8pm an ever-changing cohort of robed men begin to parade the icon, bedecked in a claret
         robe, round the packed town in a rhythmical swaying, to the accompaniment of brass and drum,
         followed by the penitents. once the candlelit litter has been returned to the church around
         midnight, the pilgrims discard their robes at the entrance as an explosion of fireworks marks the
         start of a hedonistic feast of drinking, gambling and dancing that continues through the night.
         “El Naza”, as the statue is affectionately known, gets another celebratory town outing on the
         Wednesday of Holy Week, this time clothed in purple, though the festivities are not quite as grand.
         CONGOS AND DEVILS
         In the weekends leading up to Carnaval, Congo societies along the Costa Arriba erupt in
         colourful explosions of traditional song, dance and satirical play-acting that originated in the
         sixteenth century among outlawed communities of escaped slaves, known as cimarrones.
         Congregating in mock palaces, each with its king (Juan de Dios) and queen (Mecé) togged out
         in extravagant costumes and ludicrously large crowns, they communicate in their own dialect.
         the general view is that the characters represent a parody of the Spanish court, though a
         more recent interpretation maintains that they refer back to the Kingdom of Konga in Central
         Africa. the men sport painted faces, conical hats and outlandish tattered clothes, worn
         inside-out and decorated with everything from empty beer cans to teddy bears; the women
         wear multicoloured polleras, their hair garlanded with flowers, and dance to beating drums
         and choral chants. In the many comic rituals, “prisoners”, including the odd unsuspecting
         tourist, are taken and released for ransom – a few coins or an offer of a beer will usually do. the
         celebrations reach their climax on Ash Wednesday with the Festival de los Diablos. the
         ferocious scarlet-and-black devils (representing the evil spirits of the Spanish colonials), who
         have been previously running amok in frightening masks, brandishing whips, are captured by
         a posse of angels, who drag them off to be baptized.
          Aware of its potential to generate tourist income, the Portobelo authorities support a more
         formalized biennial Festival de los Diablos y Congos in March, which is well worth seeing.


       arriVal and inFOrmaTiOn                            POrTOBelO
       Most people visit Portobelo as a day-trip from Panama City, though there is an increasing number of places to stay.
       By bus Take any Colón-bound express bus, getting off at the   Portobelo  bus (Mon–Sat 6am–9pm, Sun  6am–6.30pm;
       El Rey supermarket at the Sabanitas junction (the last   every 30min–1hr; 1hr). At busy festival or holiday times, it’s
       chance to get money from an ATM). Here you can hop on a   worth going into Colón itself to make sure of a seat. Return



   090-125_Panama_3_Ch2.indd   115                             30/06/17   11:50 am
   112   113   114   115   116   117   118   119   120   121   122