Page 28 - (DK Eyewitness) Travel Guide - India
P. 28

26      INTRODUCING  INDIA


        Secular Architecture                          Mughal dome

        Magnificent secular buildings, such as forts,
        palaces and mansions (havelis), were built by   Windows are
        powerful ruling and aristocratic families. Many   inspired by
                                        Rajput palaces.
        of these, especially in Rajasthan and Gujarat (see
        pp350–51), harmoniously combine monumental
        scale with superb decorative elements. The
        British imposed their own architectural stamp,
        a fusion of East and West. A variety of indigenous
        domestic forms that have remained unchanged
        through the ages can be seen throughout    Laxmi Vilas in Vadodara (see p422), built in the
        rural India.                         late 19th century

        Civic Architecture
               In the mid-19th century, the British began to incorporate
                elements from Indian Islamic architecture into European
                 Neo-Classical or Gothic-Revivalist styles. Known as Indo-
                 Saracenic, this style reflected imperial and civic pride.
                Indo-Saracenic public buildings include Chhatrapati Shivaji
                  Terminus (see pp458–9) and Mumbai University, and the
                  High Court and Egmore station in Chennai. This culminated
                    in the building of the new capital at New Delhi (see
                   pp76–7), where Sir Edwin Lutyens and his associates
         Sculpture, Churchgate   evolved a grand architectural style that was a more
          Station, Mumbai
                   elegant synthesis of Indian and European traditions.
                                                     Typical Gothic window,
                                                     Mumbai University
            End towers    Colonnaded
            are surmounted   verandahs run    A dome
            by small yet   the full length    crowns
            bulbous cupolas.  of the building.  the central   The entrance
                                              chamber.  porch has a
                                                     balcony above.









        Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly the Prince of Wales Museum, Mumbai (see pp454–5)
        The Courtyard
        Domestic architecture in India is governed
        by public and private spaces. The front portion
        of the house was open to visitors and guests,
        but just beyond that was the courtyard, the
        heart of the house, restricted to the family.
        Larger mansions, such as those at Shekhawati
        (see p376), Jaisalmer (see p391) and Chettinad
        (see p616), had several courtyards surrounded
        by elaborate colonnades. The separation of
        private and public spaces within the home
        grew out of social conventions that secluded
        women from the public gaze.   Courtyard with wooden pillars and carved doors






   026-027_EW_India.indd   26                               26/04/17   11:42 am
     Eyewitness Travel   LAYERS PRINTED:
     Feature template    “UK” LAYER
     (SourceReport v1.3)
     Date 18th October 2012
     Size 125mm x 217mm
   23   24   25   26   27   28   29   30   31   32   33