Page 30 - (DK Eyewitness) Travel Guide - India
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28      INTRODUCING  INDIA


        Hindu Mythology
                                                        Dvarapala is
        The vast pantheon of Hindu gods, goddesses      the armed
        and their divine exploits is best explored through   guardian, who
                                                        stands outside
        sculpture. The principles of temple architecture were   the entrance of a
        defined and established under the imperial Guptas   temple or by the
        (4th–6th centuries AD). Indian temples are adorned   door of the inner
        by a profusion of sculptures that are not merely   sanctum. These
                                                        forbidding
        decorative but also provide a visual interpretation of   figures carry
        Hindu mythology. The numerous manifestations of   weapons to
        deities, such as Shiva, Vishnu and Devi (the goddess   protect the deity
        also known as Parvati, Durga, Kali) are depicted in   from intruders.
        great detail. Semi-divine beings, such as devotees,
        nymphs and musicians complete the picture.
                                 Karttikeya is mounted on his
                                   peacock vehicle (vahana).
        Vedic gods, such as Surya the Sun
           God, were manifestations of   Indra, the Vedic God of
          nature and the elements. They   the Heavens, sits on
            were absorbed into the    Airavata, the four-
                                        trunked white
          Hindu pantheon of deities   elephant representing
           almost 2,000 years ago.      the rain cloud.
                                     Female attendant
                                      Lakshmi, the
                                    consort of Vishnu
                                        Garuda, the
                                     vehicle (vahana) of
                                      Vishnu, is half man
                                       and half eagle.
                         Lakshmi, the Goddess of Wealth,
                         appears as Gajalakshmi in this panel
                         from Mamallapuram (see pp582–3). She
                         is seen with two elephants (gaja), who
                         bathe her with their upturned trunks.









                                                Vishnu Anantasayana
                                                This 5th-century panel from
                                                Deogarh (see p237) depicts
                                                Vishnu asleep on the serpent
                                                Ananta, whose hood shelters
                                                him. Brahma rises from behind,
                                                on a lotus, while Shiva sits
                                Mohini, the female form   with Parvati on his vahana,
        Vishnu’s dwarf incarnation, Vamana   of Vishnu, is described as   the bull Nandi. Attendants and
        (see p683) transforms himself into a   an enchantress, the most   celestial beings surround the
        giant to measure out the universe in   alluring maiden imagin-  figure. The mace, discus, shield
        three steps. This panel from Badami   able. Courtesans and   and sword, Vishnu’s attributes,
        (see pp540–41) shows him with one   nymphs are also carved   are personified below to ward
        leg raised skywards.    as bracket figures.  off demons.





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