Page 549 - (DK Eyewitness) Travel Guide - India
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K ARNA T AK A      547

       Bijapur: Gol Gumbad                       VISITORS’ CHECKLIST

       Bijapur’s most celebrated building, the   Practical Information
       monumental tomb of Muhammad Adil Shah     Station Rd.
       (r.1627–56), second son and successor of Ibrahim   Tel (08352) 204 737.
       II, is commonly known as the “Round Dome”, or Gol   Open daily. & free on Fri.
                                                 Autos & cycles available.
       Gumbad. The slightly bulbous dome, the largest in
       the world after St Peter’s in Rome, rises on a base
       of petals to form a fitting climax to the whole   The dome is nearly 43 m (141 ft)
                                                 in diameter. It is carried on eight
       composition. Completed in 1656, the tomb   Circular   over lapping arches with
                                           gallery
       stands in the middle of a formal garden. On   intervening pendentives. The
       the west side is a small mosque with five   circular Whispering Gallery, over
       arches flanked by slender minarets.        which the dome is raised, has
                                                       remarkable acoustics.
                                                     A bulbous dome
                                                     on a petalled base
               Minaret                               tops the minaret.

























                                                     The mihrab bay is
                                                   within a part-octagonal
                                                   projection, to the west. The
                         Tomb of                   walls are overhung by richly
                         Muhammad                  carved stone brackets with
                         Adil Shah.                tiers of lotus buds.

                         Deccani Painting
                         The Muslim rulers of the Deccan, especially
                         of Golconda (see pp670–71) and Bijapur,
                         during the 14th and 15th cen turies,
                         encouraged art and established a Deccani
                         School of Painting. This was influenced first
                         by direct contact with Central Asia and Persia,
                         and later by the Mughals. At the court of
       Entrance Arch     Bijapur, elements of European Renaissance
       The entrance façade has    and Persian art were assimilated into the
       a wide, lofty arch in the   classical Indian tradition, to create a   Chand Bibi Playing Polo,
       centre, pierced with small   distinctive Deccani style.  a Deccani painting
       windows on either side.




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