Page 600 - (DK Eyewitness) Travel Guide - India
P. 600

598      SOUTH  INDIA


                                               can be a magical experience.
                                               Also in the town is the 9th-
                                               century Panchanandishvara
                                               Temple (“Lord of the Five Rivers”),
                                               built by the Cholas. Dedicated
                                               to Shiva, the shrines of Uttara
                                               (north) Kailasha and Dakshina
                                               (south) Kailasha, on either side
                                               of the main temple, were built
                                               by the wives of Rajaraja I and
                                               Rajendra I (see pp50–51). The
                                               temple’s huge prakara (boundary)
       College of Music at Tiruvaiyaru, on the Kaveri river  walls, pillared mandapas and the
                                               Mukti Mandapa are immor talized
       w Tiruvaiyaru       which falls, according to the   in the songs of the Nayannars, a
                           Tamil calendar, in January.   sect of 7th-century poet-
       Thanjavur district. 13 km (8 miles)
       N of Thanjavur. * 185,737. @    Hundreds of musicians and   saints (see p49).
       _ Thyagaraja Music Festival (Jan).  students of Carnatic music
                           gather in the town and sing   Environs
       The fertile region watered    Thyagaraja’s songs from   Pullamangai village, 12 km (7
       by the Kaveri river and its    morning till midnight for    miles) northeast of Tiruvaiyaru, is
       four tributaries is known as    a whole week.  noted for the Brahmapurishvara
       Tiru vaiyaru, the sacred (tiru)      As dawn breaks over the    Temple, dating to the 10th
       land of five (i) rivers (aru). For   river, a procession of musicians   century. The temple features
       nearly 2,000 years the Tamil   makes the short journey from   elegant depictions of various
       people have regarded the   Thyagaraja’s house to the   gods and goddesses.
       Kaveri as the sacred source    temple, singing contin uously
       of life, religion and culture. As    all the way. Music lovers wait
       a result, many scholars, artists,   eagerly at the shrine, seated
       poets and musicians settled    on the mud floor of the thatch-
       in this region, under the   roofed auditorium. To the
       enlightened patronage of the   sacred chants of priests, the
       rulers of Thanjavur (see pp600–601).   stone image of Thyagaraja is
       Among them was Thyagaraja   ritually bathed with milk,
       (1767–1847), the greatest   rosewater, sandalwood and
       composer-saint of Carnatic   honey. The five songs known
       music. The history of this small   as the pancha ratna (“five
       town is thus deeply linked with   gems”) of Thyagaraja, which
       the growth and development    are considered unequalled
       of South Indian classical music.  masterpieces of Carnatic music,
         The little Thyagaraja Temple,   are sung in a grand chorus by
       in the town, was built to   all the assembled musicians.
       commemorate the last resting   This ceremony is an annual
       place of the celebrated   reaffirmation of devotion to
       composer-saint. A musical   the composer and to a great
       festival is held here every year   tradition of music. For music   Cows being bathed in the waters of the
       on the anniversary of his death,   lovers from all over India, it    Kaveri, Tiruvaiyaru

        Thanjavur Bronzes
        The Thanjavur region’s wealth of artistic traditions includes the creation of exquisite bronze images
        through a process known as cire perdue or the “lost-wax” technique. A model of the image is first made
                                in wax and then coated with layers of clay to create a
                                mould, which is heated to allow the melting wax to flow
                                out through a hole at the base. A molten alloy of five
                                metals (panch loha) is poured into the hollow. When the
                                metal cools, the mould is broken and the image is finished
                                and polished. Finally, the image’s eyes are sealed with a
                                mixture of honey and ghee and then ritually “opened” by
                                a priest, using a golden needle. Even today, traditional
                                artisans, known as sthapathis, create these images according
                                to a fixed set of rules and guidelines laid down in the Shilpa
                                Shastra, an ancient treatise on art. The main centre for
        Artisan adding finishing touches to bronze idols  bronze casting in Tamil Nadu is Swamimalai (see p597).

       For hotels and restaurants in this region see pp702–703 and pp717–18


   598-599_EW_India.indd   598                              26/04/17   11:49 am
     Eyewitness Travel   LAYERS PRINTED:
     Catalogue template    “UK” LAYER
     (Source v2.6)
     Date 12th July 2013
     Size 125mm x 217mm
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