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K Y O T O  CIT Y      167


                    Geisha, Geiko, and Maiko

        Geisha are female professional entertainers whose knowledge of traditional arts, skill at
        verbal repartee, and ability to keep a secret win them the respect, and sometimes love,
        of their well-heeled and often influential male clients. The profession, dating from the
        17th century, is in decline and blurred by the activities of so-called onsen geisha and
        others who offer more sex ual than classical arts, or who are more glorified waitress than
        geisha. Kyoto’s proud geisha prefer the term geiko (child of the arts). Less polished than
        their geiko “sisters,” maiko, apprentice geisha, are a Kyoto-only phenomenon. The city has
        four geisha enclaves: Gion-kobu, Pontocho, Miyagawa-cho, and Kamishichi-ken. Public
        dances are staged in each district in spring and fall. At other times, the only way to see
        geisha perform is at private functions, often held at ryotei, ochaya, and ryokan (upscale
        restaurants, teahouses, and inns).
                                                     Pontocho, one
                                                     of Kyoto’s historic
                       The white face                geisha districts, has
                       and delicately                many ochaya, where
                       shaped red lips               geisha are booked
                      are classic ideals             to entertain
                     of beauty in Japan.
                                                     prestigious clients.
                          Under-kimono
                                     Ornamental hairpins
                                     vary with the seasons.
                                     A maiko’s hair is her
                                     own, not a wig.
                                     The nape of the neck,
                                     accentuated by the
                                     unpainted part, is
                         The obi (sash) of   considered sensuous.
                         a maiko hangs
                         down at the back.
                                                        Embroidered collar
                         The Maiko Costume
                         Only in Kyoto do young women training to be geiko
                         wear their hair in a distinctive style and sport a unique
                         costume featuring a long, hanging obi, tall koppori
                         clogs, and an under-kimono with an embroidered
                         collar. When becoming a fully-fledged geiko, they
                         exchange the embroidered collar for a white one,
               Tabi socks  a transition known as eri-kae, or collar change.




          The geisha world moves to
         the rhythm of the shamisen,
          a three-stringed instru-            Poised and
          ment that originated in          posture-perfect,
          Okinawa. Geisha who                Umegiku, of the
         choose not to specialize         Kamishichi-ken district,
           in dance will instead         performs class ical dance
          master the shamisen or           with a fan as prop. For
         another instrument. The           more for mal occasions
           skills of older geisha        she will paint her face and
         are held in high regard.         wear a different kimono.
                                                     The fall dance of the maiko



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