Page 88 - TRINITY 1959

First row—Skarstrom, Stamm, Janeway, Rigg, Schack, Younger, White, Hawkins, L. Iacueo.
Second row—Hazak, Aletti, A. Miller, Just, Hall, P. Vogelson, Scheelen, Moller, N. Suhr,
Bourdius, Mano, Truman. Third row—Mr. Jones (Director), Garrets, J. Blumenthal, Baxter,
Lefcourte, Barnes, Jones, Potts, Hempel, R. Lewis, Dever, Risley, Hoge, Fuhrman, W. Johnson,
N. Williams, Weyburn, Mr. Smith (Director). Fourth row—Titon, Sobel, Pendleton, Reid,
J. Munro, Spooner, Atkin, E. Shaw, Ward, Klinger, A. Finger, Reale, Powell, Lehmkuhl,
C. Krulis, Fisher. Absent—Allen, Kovaleff.
Dramatics

h TER several years of an off-again, on-again existence, the
A Dramatics Club has at last reached the much-to-be-desired state
of an institution, having now completed its third year of active life.
In regard to achievements by the Thespians, Mr. Jones, the
director, reached the zenith of success in winning over the mainstays
iiUULmuiL1 of athletics at Trinity to the performing arts. At times, during the
spring production of M r. Roberts, the stage seemed to be totally
occupied by the Varsity Football Team.
In staging Agatha Christie’s thriller, Ten Little Indians, earlier
in the school year, the Dramatics Club, although employing a less
sensational cast (they did arrange to import the Misses Sally Moore,
Lucy Steele, and Mary Peckham from neighboring Birch Wathen),
managed to play to sell out audiences. As further evidence of success,
1 rinity’s production of the play appeared three months earlier than
that on television and was at least an hour longer.
I he Dramatics Club Dance, now an annual affair, provided all
future Marties with “something to do tonight’’ as well as enabling
both students and faculty to work out their secret desires, as it was a
costume dance. As a result of all three events, the Dramatics Club
managed to finish in the black financially as well as artistically.

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