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PLANTS AND GARDENS52

                    Fast Trees

                    IN CONTRAST TO THE QUIET, formal detail of other drawings      weight of abundant activity on this late summer's day.
                    in this chapter, these powerful fast trees enact the actions   Mondrian's arch of scratching branches is drawn with
                    of plants. Each tree reaches out and holds its landscape with  such force it will always be alive. We can still feel his hand
                    dynamism and pulse. In both drawings we find testament         storming across the paper. Set within a frame of smudged
                    to the inexorable energy of growth.                            landscape, the tree possesses a musical agitation. This
                                                                                   characteristic will increase in the artist's later abstract
                       Rembrandt expresses a delicate quickness. Gentle lines      work. Here, we see a punctuated ordering of space. Sharp
                    draw a warm breeze through this remote wooded garden.          branches cut out negative shapes of winter sky.
                    Rustling in a loose foliage of soft marks, his pen evokes the

                    REMBRANDT VAN RIJN                                          Horizon Pen and ink lines describing foliage also tell       Cottage Among Trees
                    Dutch painter; etcher; and draftsman. Rembrandt's prolific  us the directions of sunlight and wind. An arc crossing the
                    output comprises oil paintings of historical and religious  bottom of the drawing from one side to the other supports      1648-50
                    subjects together with group and self- portraits. His       the scene and separates us from the landscape beyond.        63/4 x121/8in ( I 7 I x 308 mm)
                    emotive etchings and pen and ink drawings (see also         Compare Rembrandt's arc to that of Mondrian's. and note      R E M B R A N D T V A N RIJN
                    p. 174) are great resources for artists learning to         the similar treatment of low horizons in both works
                    understand the potential of these media.                    emphasizing the height and dominance of trees.
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