Page 39 - (DK Eyewitness) Travel Guide - Argentina
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A  POR TR AIT  OF  ARGENTINA      37



       widely exhib ited and is the    writing, Argentinian
       most lauded Argentinian artist   literature has blossomed
       of his generation.  in the 20th century. Early
                           talents include Uruguay-
                           born Horacio Quiroga
       Independent Voices:   (1878–1937), whose
       1810–1880           collections of short fables
       Postcolonial Argentina was,    made him one of the
       for most of the 19th century,    precur sors of magical
       a divided country where the   realism, while Roberto   Puig’s El Beso de la Mujer Araña on stage
       pens of writers and intellec-  Arlt (1900–1942) is
       tuals were pitted against the   famous for his surreal,    a critic and pub lishing the
       swords of provincial caudillos    vio lent stories of aliena tion and   magazine Sur, which provided
       in a battle for the support of   despair. Manuel Puig (1932–90)   a plat form for local writers as
       the popu lation. In the view    was another influential author   well as trans lating European
       of writers such as Esteban   who used pop art techniques   writers for Argentinian readers.
       Echeverría (1805–80) and   such as montage to startling   Protofeminist ideas are evi dent
       Domingo Sarmiento (1811–88),  effect. His key novels include    in the erotically charged
       the conflict was between   El Beso de la Mujer Araña (1976),   writings of poet Alfonsina
       European-style civi lization   which brought him global fame   Storni (1892–1938) and in
       (demo cracy and secular ism)   after it was made into a movie   the anti-patriarchal political
       and home-grown           and a Broadway   works of Latin American
       bar barism (dictator-    musical. Another   playwright and novelist
       ship and the law of      Argentinian writer   Griselda Gambaro (b.1928).
       the jungle).             whose fame was     Other noted contemporary
       Echeverría’s and         bolstered by a silver-  authors include Tomás Eloy
       Sarmiento’s bête         screen adap tation    Martínez (1934–2010), César
       noire was the dicta tor   was Julio Cortázar   Aira (b.1949), and Ricardo Piglia
       Juan Manuel de           (1914–84): his story    (b.1941). No modern writers,
       Rosas, whom both         Las Babas del Diablo   how ever, have come close to
       writers attacked in      (1959) was the source   matching the reputa tion of
       their best-known         for Michelangelo   Jorge Luis Borges (1899–1986),
       works, El Matadero   Movie poster of   Antonioni’s movie   the undisputed master of
       (1871) and Facundo   Blow-up  Blow-up (1966).  20th-century Argentinian
       (1845) respectively.        Julio Cortázar’s   letters and one of the most
                           brilliantly struc tured short   influ ential writers to emerge
                           stories, along with his experi-  since World War II. A prolific
       Gaucho Literature:   mental novels, have made him   poet, essayist, and even film
       1880–1900           one of the most enduringly   critic, Borges is best known for
       José Hernández’s (1834–86)   popular of all Argentinian   his two collections of short
       verse epic El Gaucho Martín   writers, although he spent most   stories, Ficciones and El Aleph.
       Fierro (1872) is highly lauded   of his life in self-imposed exile,   As elusive as they are allusive,
       for its free-spirited hero drawn   disgusted at the right-wing   his bril liant works have
       from rural folk ballads. It is   and authori ta rian drift of his   influenced many major writers
       regarded as the greatest   homeland. Another politi cally   of our time.
       expression of the country’s   commit ted writer was Rodolfo
       national iden tity. Another    Walsh (1927–77). Regarded as
       key work is Ricardo Güiraldes’s   one of the finest and most
       (1886–1927) Don Segundo   well-known Latin American
       Sombra (1926), which casts a   jour nalists, he was shot on
       skeptical eye on the gaucho   the orders of the Argentinian
       myth but still paints a vivid   military dictator ship in 1977.
       portrait of rural life of the era.    During the second half of the
                           20th century, the pro duc tion
                           and publication of women’s
       The Moderns: 1900–  writing proliferated in
       present day         Argentina. Heiress Victoria
       Partially on its own merits    Ocampo (1890–1979) played a
       and also drawn along in the   leading role in the intellec tual
       slipstream of the boom in   life of Buenos Aires during the   Jorge Luis Borges, a 20th-century literary
       interest in Latin American   1920s and 1930s, working as    genius and icon






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