Page 29 - (DK Eyewitness) Travel Guide - Sicily
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A  POR TR AIT  OF  SICIL Y      27



       vinti (cycle of the defeated),
       which was to have consisted
       of five novels; but the author
       left the project unfinished.
         In the same vein as Verga
       were two other Sicilian writers,
       Luigi Capuana (1839–1915)
       and, more importantly,
       Federico De Roberto (1861–
       1927), who wrote I Viceré
       (The Viceroys, 1894), about
       a 19th-century aristocratic
       family in Catania.
         The literature of Sicily
       continued to be at the   Renato Guttuso, Boogie-woogie (1953–4)
       forefront in the 20th century.
       The first half was dominated   Artists  da Messina (1430–79), one
       by Luigi Pirandello (1867–             of the greatest Renaissance
       1936), who won the Nobel   Until the Renaissance, Sicilian   portraitists and exponents of
 Guidebook by Federico   Prize for Literature in 1934. In   art was basically decorative.   figurative rationalism.
 De Roberto  his novels (such as The Late   During the Greek period     Although Sicily was a
       Mattia Pascal, 1904), nearly    probably the best painting was   favourite subject of European
       300 short stories, plays (see   produced in the 7th century BC,   landscape artists, from the
               p29) and essays   when Siceliot vase painters   17th to the 19th centuries the
               he combines wit   stopped imita ting the mainland   island produced only one
               with a lucid and   models and adopted a fresh,   important painter, Pietro
               sometimes   eclectic style that elaborated   Novelli, known as “the man
               ruthless vision    upon the original Greek red-  from Monreale” (1603–47).
               of reality.  figure ware motifs. The only   Later, Francesco Lojacono
               Among the   known artist was Zeuxis, and   (1838–1915) was also known
               many note-  this only through literature, not   for his Sicilian landscapes.
               worthy post-war   his works. The Roman period     In the 20th century, the
               Sicilian writers   distinguished itself for some   painter Renato Guttuso (1912–
     One of Pirandello’s   are the “hermetic”   fine wall paintings, in which   87) took up his artistic heritage
      earliest plays  poet Salvatore   wax-derived colours were   in a realistic vein. Painter and
              Quasimodo    applied, fused into a layer and   engraver Piero Guccione
       (1901–68), author of the   then fixed onto the wall with   (1935–) is a key contemporary
       collection of poems Ed è subito   heat. The decorative arts in the   figure on the Sicilian art scene.
       sera (And Suddenly it’s Evening,   Middle Ages in Sicily were
       1942). He won the Nobel    dominated by mosaics. Among
       Prize in 1959.      earlier fine works in this
       Giuseppe Tomasi     medium are the mosaics of
       di Lampedusa         the late Roman period at
       (1896–1957)          Piazza Armerina and those
       wrote Il              in the Cappella Pala tina in
       Gattopardo (The        Palermo and Cefalù
       Leopard, 1958;            Cathedral, which
       see p126), a vivid        are a magnificent
       portrait of feudal        combination of
       Sicily later made into a   Byzantine, Arab and
       film, and Leonardo        Norman motifs
       Sciascia (1921–89)        and stylistic
       wrote novels and          elements. Sicilian
       essays painting a         art reached a
       penetrating, lively       peak during the
       portrait of post-  Author Leonardo Sciascia  Renaissance, thanks
       war Sicily. Another       to artists such
       great novelist, Gesualdo   as Giuffrè (15th century),
       Bufalino (1920–1996), became   Quartarano (1484–1501), the
       famous with his first novel,   unknown creator of Trionfo della
       Diceria dell’untore (The Plague-  morte (The Triumph of Death),   Antonello da Messina, St Sebastian
       Spreader’s Rumour).  and to the genius of Antonello   (1476)





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