Page 354 - (DK Eyewitness) Travel Guide - Europe
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352      THE  IBERIAN  PENINSULA


       Palácio Nacional
       de Sintra

       At the heart of the old town of Sintra (Sintra Vila),
       a pair of unusual conical chimneys rises high
       above the Royal Palace. The main part of the
       palace, including the central block with its plain
       Gothic facade and the large kitchens beneath the   . Sala dos Brasões
       chimneys, was built by João I in the late 14th   The domed ceiling of this majestic room is
       century, on a site once occupied by the Moorish   decorated with stags holding the coats of
                                         arms (brasões) of 72 noble Portuguese
       rulers. The Paço Real, as it is also known, became   families. The lower walls are
       the favorite summer retreat for the court and   lined with 18th-century
       continued as a residence for Portuguese royalty   Delft-like tiled
       until 1910. Additions to the building by the   panels.
       wealthy Manuel I in the early 16th century,
       echo the Moorish style. Gradual rebuilding
       of the palace has resulted in a fascinating
       amalgamation of various different styles.

















       . Sala das Pegas
       The 15th-century painted ceiling
       features 136 magpies (pegas) holding
       ribbons with King João I’s motto,
       “Por bem” (In honour), and roses
       to represent Queen Filipa’s House
       of Lancaster.






                            Azulejos – Painted Ceramic Tiles
                            The Palácio Nacional de Sintra contains azulejos from the 16th–18th
                            centuries, many painted with Moorish-influenced designs. In the
                            early 16th century, tiles were produced by compartmental
                            techniques, using raised and depressed areas to prevent the tin-glaze
                            colors from running. The maiolica technique appeared in the mid-
                            16th century. This allowed artists to paint directly onto prepared flat
                            tiles using several colors, as these did not run in the firing process.
                            By the 18th century, no other European country was producing as
                            many decorative tiles as Portugal, and there are many examples
        Spanish-made, Moorish-style tiles from the   of 18th-century blue-and-white azulejos in the palace at Sintra,
        palace chapel (1510)  notably in the Sala dos Brasões.

       For hotels and restaurants see p362 and p363


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