Page 84 - (DK Eyewitness) Travel Guide - New Orleans
P. 84

82      NE W  ORLEANS  AREA  B Y  AREA

       a Congo Square
       N Rampart St, between St. Peter St
       and St. Philip St. Map 4 C1.
       @ 5, 48, 88, 89. 7
       Under the Code Noir (an edict
       concerning the treatment of
       slaves), slaveholders were
       forbidden to work slaves on
       Sunday in order to encourage
       them to attend church and
       become good Roman Catholics.
       Such minimal amounts of
       freedom allowed the slaves
       of New Orleans to retain more
            of their African heritage
              than those in other
              parts of the South.
              On Sunday
              afternoons, during
              the 18th and early   Congo Square, home of the calinda and bamboula dances
              19th century,
              slaves and free   s Mahalia Jackson   beauty shop, then a flower
             people of color   Theater of the   store. Despite her strict
               would gather in   Performing Arts   upbringing, she fell in love
       Sidney Bechet’s    Congo Square         with the syncopated rhythms
         statue  (also known as   1419 Basin St. Map 4 C1. Tel (504) 287-  of blues but never sang the
               Place des Nègres),   0351. @ 48, 46, 52, 57.  & 7   more bawdy songs in its
       part of Armstrong Park (see p81),   ∑ mahaliajacksontheater.com  repertoire. Jackson was
       to speak in their native African        discovered in the 1930s and
       tongues. They would sing and   Named for the celebrated    made her first recording in
       dance, and perform the calinda,   gospel singer Mahalia Jackson   1934. Her career took her to
       an African line dance, and the   (1911–72), this theater is used   Carnegie Hall, the Newport
       bamboula. These dances were   by local and visiting dance,   Jazz Festival, and other major
       one of the chief origins of jazz,   music, and theater companies.  music venues. Jackson was
       and Congo Square is thus     A New Orleans native,   also active in the civil rights
       remem bered as one of the   Jackson began her career   movement and was a supporter
       birthplaces of jazz music. The   singing in the local church,   of Martin Luther King, Jr.
       infamous Marie Laveau (see p85)   where her father was a pastor.     The theater suffered flood
       is said to have performed   At the age of 16, she moved to   damage after Hurricane Katrina
       voodoo rituals here.  Chicago and opened first a   but has been restored.























       The Mahalia Jackson Theater of the Performing Arts




   082-083_EW_New_Orl.indd   82                              05/08/16   3:49 pm
     Eyewitness Travel   LAYERS PRINTED:
     Catalogue template    “UK” LAYER
     (Source v2.6)
     Date 12th July 2013
     Size 125mm x 217mm
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