Page 40 - (DK Eyewitness) Travel Guide - Spain
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38      INTRODUCING  SP AIN


        Literary Spain                          two nobles and a scheming
                                                go-between. This was an age
        The best-known work of Spanish literature, Don Quixote    in which tales of chivalry were
        is considered the first modern novel, but Spain has   also popular.
        produced many major works over the last 2,000 years.
        The Roman writers Seneca, Lucan and Martial were born
        in Spain. Later, the Moors developed a flourishing, but
        now little-known, literary culture. Although Spanish
        (Castilian) is the national tongue, many enduring works
        have been written in the Galician and Catalan regional
        languages. Basque literature, hitherto an oral culture, is
        a more recent development. Many foreign writers, such
        as Alexandre Dumas, Ernest Hemingway and Karel
        Capek, have written accounts of their travels in Spain.

                            Under his supervision a team
        Middle Ages         of Jews, Christians and Arabs
        As the Roman empire fell,   wrote scholarly treatises. The   The prolific Golden Age dramatist,
        Latin evolved into several   king himself was a poet,    Félix Lope de Vega
        Ro mance languages. The   writ ing in Galician Romance.
        earliest non-Latin literature      The first great prose works
        in Spain derives from an oral   in Spanish appeared in the   Golden Age
        tradition that arose before the   14th and 15th centuries.    The 16th century hailed
        10th century. It is in the form   El Libro de Buen Amor, by an   the start of Spain’s Golden
        of jarchas, snatches of love   ec clesiastic, Juan Ruiz, is a tale   Age of literature. But it was
        poetry written in Mozarab,    of the love affairs of a priest,   also a period of domestic
        the Romance language that   interleaved with other stories.   strife. This found expression
        was spoken by Christians    Fernando de Rojas uses skil ful   in the picaresque novel, a
        liv ing under the Moors.  characterization in La Celestina   Spanish genre originating
          In the 12th century, the first   to tell a tragic love story about   with the anonymous El
        poems appeared in Castilian.               Lazarillo de Tormes, a
        During the next 300 years, two              bit ter reflection on
        separate schools of poetry                  the misfor tunes of
        developed. The best-known                 a blind man’s guide.
        example of trouba dour verse is           Spiritual writers flourished
        the anonymous epic, El Cantar           under the austere climate
        del Mío Cid, which tells of the         of the Counter-Reformation.
        heroic exploits of El Cid (see          St John of the Cross’s Cántico
        p374) during the Recon quest.           Espiritual was influenced by
        Works of clerical poetry –              Oriental erotic poetry and
        for example, Gonzalo de                 the Bible’s Song of Songs.
        Berceo’s Milagros de Nuestra              The 17th century saw
        Señora, relating the life               the emergence of more
        of the Virgin – convey                  great talents. The life and
        a moral message.                        work of Miguel de Cervantes
          Spanish literature                    (see p337) straddles the two
        evolved in the 13th                     cen turies of the Golden
        century after Alfonso X                 Age. He published his
        the Learned (see p59)                   master-piece, Don Quixote,
        replaced Latin                          in 1615. Other important
        with Castilian                          writers of the time include
        Romance                                 Francisco de Quevedo and
        (later called                           Luis de Góngora.
        Span ish) as                              Corrales (public theatres)
        the official                            appeared in the 17th
        language.                               century, opening the way
                                                for Lope de Vega (see p294),
                 Alfonso X the Learned          Calderón de la Barca and
                      (1221–84)                 other dramatists.





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