Page 38 - (DK Eyewitness) Travel Guide - Spain
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36      INTRODUCING  SP AIN


        Spanish Art

        Three Spanish painters stand out as milestones in the history
        of Western art. Diego de Velázquez was a 17th-century court   The king and queen,
        portrait painter and his Las Meninas is a seminal work. Francisco   reflected in a mirror
        de Goya depicted Spanish life during one of its most violent   be hind the painter,
                                                          may be posing for
        periods. The prolific 20th-century master Pablo Picasso is recog-  Self-portrait   their portrait.
        nized as the founder of modern art. To these names must be   of Velázquez
        added that of El Greco – who was born in Crete but who lived
        in Spain, where he painted religious scenes in an indi vidualistic
        style. The work of these and Spain’s many other great artists can
        be seen in world- renowned
        galleries, especially the Prado
        (see pp296–9).

          In his series Las Meninas (1957),
             Picasso interprets the frozen
             gesture of the five-year-old
            Infanta Margarita. Altogether,
            Picasso produced 44 paintings
             based on Velázquez’s canvas.
           Some of them are in Barcelona’s
               Museu Picasso (see p157).
         Religious Art in Spain
         The influence of the Catholic Church on Spanish art through the
         ages is reflected in the predominance of religious imagery. Many
                          churches and museums have
                           Romanesque altarpieces or
                             earlier icons. El Greco (see
                              p395) painted from a
                              highly personal religious
                               vision. Baroque religious
                               art of the 17th century,   Las Meninas (1656)
                               when the In quisition (see
                               p278) was at its height,   In Velázquez’s painting of
                               often graphically depicts   the Infanta Margarita and her
                               physical suffering and   courtiers, in the Prado (see
                               spiritual torment.  pp296–9), the eye is drawn
                                                 into the distance where the
                                                 artist’s patron, Felipe IV, is
                              The Burial of the Count of   reflected in a mirror.
                              Orgaz by El Greco (see p394)




             1285–1348   1390–1410     The Resurrection   1598–1664 Francisco
             Ferrer Bassá  Pere Nicolau  by Pedro Berruguete   de Zurbarán
                      1363–95   1428–1460                     1591–1652
                    Jaume Serra  Luis Daimau                 José de Ribera

                1300              1400              1500
                                1388–1424      1474–95 Bartolomé   1565–1628
                                Luis Borrassa  Bermejo         Francisco
              Madonna with                 1450–1504 Pedro Berruguete  Ribalta
              Angels (detail)
              by Ferrer Bassá          1427–52 Bernat   1541–1614   1599–1660 Diego
                                       Martorell      El Greco  de Velázquez





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