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                  with the rest of the industry,” as she recalls.
                  Even now, she says, “every single day in our
                  office is this sort of daily challenge—a way of
                  trying to perfect and persist and find realistic
                  solutions within the luxury fashion sector—
                  and even in a more broadstream way with the
                  collaborations with Adidas [initiated in 2004].
                  Each day,” she says, “there are questions that I
                  ask that we try to find an answer for. And if we
                  can’t, we’ll try again tomorrow.”
                    Despite what she refers to as “a lot of resist-
                  ance,” McCartney turned the Chloé gig (which
                  lasted through the launch of her self-titled
                  brand in 2001) into a triumph, tripling sales.
                  Today, as we march inexorably to global Arma-
                  geddon, her commitment to cruelty-free fash-
                  ion and sustainability is fast becoming the in-
                  dustry norm. In recent years, for instance,
                  luxury brands including Gucci, Prada, Michael
                  Kors, Armani and Chanel have declared them-
                  selves fur-free. “I’m hugely relieved,” says Mc-
                  Cartney, “but I’m actually astounded that it’s
                  taken so long.”
                    McCartney now gives scholarships at Central
                  Saint Martins, her alma mater, for students
                  who “adhere to our ethical charter,” and helps
                  young designers navigate the complicated ter-
                  rain of sustainability. “We’re in the farming
                  industry in fashion,” she says. “We look at the
                  biodiversity and the soil. It’s crazy. It’s basical-
                  ly exhausting. It’s much easier not to do it. So
                  I kind of understand why the world hasn’t
                  quite followed.”
                    But McCartney has far more ambitious goals
                  for expanding her global industry reach. Last
                  year, she bought back full ownership of her la-
                  bel from Kering, 17 years after the group’s then-
                  creative director Tom Ford had urged the com-
                  pany to invest in McCartney’s fledgling brand.
                  Following her move, “people began to show an
                  interest quite quickly,” as McCartney recalls. “I
                  was fortunate enough that Mr. Arnault was one
                  of the people.” She’s speaking, of course, of Ber-
                  nard Arnault, the all-powerful chairman and
                  chief executive of LVMH, which acquired a mi-
                  nority share in Stella McCartney in July 2019.
                  “I think it’s incredibly exciting. It sends a big,
                  big message to the industry if Mr Arnault is ask-
                  ing me to be his personal adviser on sustainabil-
                  ity at LVMH. I think that was one of the attrac-
                  tions for me—it is a big, timely statement, and
                  hopefully game-changing for all of us.”
                    McCartney points out that the fashion
                  brands with the biggest environmental impact                                                                                               COURTESY STELLA MCCARTNEY; INDIGITAL MEDIA
                  in terms of scale are “the high-end luxury hous-
                  es, and then the fast-fashion sector. They have
                  massive impact in a negative way, and they
                  can have a massive impact in a positive way.”
                  These fast-fashion retailers, as she observes,




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