Page 31 - (DK Eyewitness) Travel Guide - Hungary
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A  POR TR AIT  OF  HUNGAR Y      29



       Renaissance and Baroque (1450–1800)
       Renaissance architecture was a successful attempt to incorporate the grandeur of Rome into
       the contemporary world. Led by the Italians Brunelleschi and Bramante, the concept of art for art’s
                     sake became paramount, with buildings being designed around their
                     façades. In Hungary the movement found royal favour from King Mátyás,
                     who was greatly influenced by his Italian wife, Beatrice. The Hungarian
                     Renaissance was brought to an end by the Turks, who destroyed many
                     of its greatest achievements.
                     After they were expelled from
                     Hungary in 1690, the Baroque
                     era began, characterized by
                     grand designs which reflected
       Sarospatak Castle’s   a shift away from the proto-
       15th-century   humanism of the Renaissance.
       Renaissance tower    Most Baroque mansions were
       is a copy of Palazzo   built to showcase the wealth    The elaborate Bishop’s Palace in Szekes-
       Vecchio in Florence.  of their patrons.  fehérvár is representative of Baroque style.

       Neo-Classical (1800–90)      Secession (1890–1930)
       In Hungary, the Neo-Classical movement was   The Secessionist era saw an ornamental style
       considered a statement of intent: that this    of art (also known as Art Nouveau) flourish
       was a heroic nation worthy of statehood.    in Europe at the end of the 19th century. In
       The National Museum (see pp102–3) and the    architecture, the movement initially made use
       Opera House (see pp93–3) were built with   of elaborate ironwork, tiles and bright colours
       independence                 to decorate linear buildings, while in the latter
       in mind.                     part of the Secession period ever more daring
                                    architects created curving, bulbous and
                                    organic constructions.







       Budapest’s National Museum, built to signify    The Cifra Palota, Kecskemét, is typical of
       national consciousness, is where Sándor Petőfi read   Secession design, with a curved, tiled roof, ironwork
       National Song and sparked the 1848 Revolution.  balconies and intricate arabesque decoration.

       Utilitarian (1950–90)
       At the end of World War II, art was relegated to
       a distant second behind necessity, as Hungary’s
       Communist regime set about constructing   Prefabrication
       hundreds of thousands of new homes on the   facilitated the
       outskirts of the country’s cities. Designed to   swift building
       accommodate the workers taking part in   of many
       Hungary’s massive industrialization programme,   apartment
                                        blocks.
       vast estates of identical high-rise apartment
       blocks were rapidly built. Though generally very
       small and by no means luxurious, the apartments   Access to
       all came with central heating, running water    apartments
       and electricity, which was a first for many    was often
       of the occupants who were allocated one.  via a long
                                       balcony.
                 Built in haste and at low cost, most Communist-
                era apartment blocks are still in excellent condition,
                     though they are somewhat bleak-looking.





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