Page 32 - (DK Eyewitness) Travel Guide - Belgium & Luxembourg
P. 32

30      INTRODUCING  BEL GIU m a ND   LU x E m BOURG


        Belgian Tapestry and Lace

        For over six centuries, Belgian tapestry and lace have been
        highly prized luxury crafts. Originating in Flanders in the
        12th century, tapestry has since been handmade in the
        centres of Tournai, Brussels, Oudenaarde and mechelen.
        The lace trade was prac tised from the 16th century onwards
        in all Belgian provinces. Bruges and Brussels in particular
        were renowned for their delicate work. The makers of this
        finery often had aris tocratic patrons, as grand tapestries and
        intricate lace were status symbols of the nobility and staple
        exports throughout Europe from the 15th to the 18th   Tapestry weavers numbered
                                                 over 50,000 in Flanders from
        century. Today, Belgium remains home to the very best   1450 to 1550. With the dukes
        tapestry and lace studios in the world.  of Burgundy as patrons, hang­
                                                 ings grew more elaborate.


















        Tapestry designs involve the
        weaver and artist working closely
        together. Painters, including
        Rubens, produced drawings for sets
        of six or more tapestries illustrating
        grand themes.

           The texture of the weave was the
              finest ever achieved – often 5
              threads to a cm (12 per inch).
                                       Tapestry
                                       By 1200, the town of Tournai and nearby
                                       Arras (now in France) were known as centres
                                       of weaving across Europe. Prized by the
                                       nobility, tapestries were portable and could
                                       be moved with the court as rulers travelled
                                       over their estates. As trade grew, techniques
                                       were refined. Real gold and silver were
                                       threaded into the fine wool, again increasing
                                       the value. Blending Italian idealism with
                                       Flemish realism, Bernard van Orley (1492–
                                       1542) revolutionized tapestry designs, as in
                                       The Battle of Pavia, the first of a series.
                                       Flemish weavers were eventually lured across
        Weavers working today in Mechelen and Tournai   Europe, and this transfer of skill led to the
        still use medieval techniques to produce contem­  success of the Gobelins factory in Paris that
        porary tapestry, woven to modern designs.  finally stole Flanders’s crown in the late 1700s.





   030-031_EW_Belgium.indd   30                              16/10/14   3:33 pm
     Eyewitness Travel   LAYERS PRINTED:
     Feature template    “UK” LAYER
     (SourceReport v1.3)
     Date 18th October 2012
     Size 125mm x 217mm
   27   28   29   30   31   32   33   34   35   36   37